Cinema, Slavery, and Brazilian Nationalism

Author:   Richard A. Gordon
Publisher:   University of Texas Press
ISBN:  

9781477309872


Pages:   286
Publication Date:   20 January 2015
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Our Price $51.95 Quantity:  
Add to Cart

Share |

Cinema, Slavery, and Brazilian Nationalism


Add your own review!

Overview

A unique contribution to film studies, Richard Gordon's Cinema, Slavery, and Brazilian Nationalism is the first full-length book on Brazilian films about slavery. By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of Brazilianness. Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. By examining patterns in this heterogeneous group of films, Gordon proposes a new way of delineating how these films attempt to communicate with and change the minds of audience members. Gordon outlines five key aspects that each film incorporates, which describe their shared formula for and role in constructing social identity. These elements include the ways in which the films attempt to create links between the past and the viewers' present and their methods of encouraging viewers to identify with their protagonists, who are often cast as a prototype for the nation. By aligning themselves with this figure, viewers arrive at a definition of their national identity that, while Afrocentric, also promotes racial and ethnic inclusiveness. Gordon's innovative analysis transcends the context of his work, and his conclusions can be applied to questions of national identity and film across cultures.

Full Product Details

Author:   Richard A. Gordon
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.399kg
ISBN:  

9781477309872


ISBN 10:   147730987
Pages:   286
Publication Date:   20 January 2015
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Introduction 1. Influencing Understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) 2. Modeling National Identity on Religious Identity in Cafundó (2005) 3. Multiple, Provisional, National Identity Models in Quilombo (1984) 4. Alternative Understandings of the National Community in Chico Rei (1985) 5. Flirting with Viewers and Precariously Rethinking Brazilianness in Xica da Silva (1976) Notes Works Cited Index

Reviews

Author Information

RICHARD A. GORDON is Professor of Brazilian Studies and Spanish-American Literature and Culture and Director of the Latin American and Caribbean Studies Institute at the University of Georgia in Athens. He is the author Cannibalizing the Colony: Cinematic Adaptations of Colonial Literature in Mexico and Brazil.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

Aorrng

Shopping Cart
Your cart is empty
Shopping cart
Mailing List