Overview

Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.

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9781839025297

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Reviews

Cinema Memories paints a fascinating portrait of the place of cinema in the lives and imaginations of its British audiences in the 1960s. Based on an extensive collection of interviews and questionnaires, it makes a vivid contribution both to the social history of the period and to the rapidly developing field of memory studies. - Richard Maltby, Flinders University, Australia Cinema Memories maps exciting and accessible new routes through the spaces and places of 1960s cinema and social history in Britain. It deftly connects New Cinema History's methodological emphasis on empirical contexts of cinema-going and film reception with intellectual traditions grounded in British Cultural Studies and People's History. - Jeffrey Klenotic, University of New Hampshire, USA

Author Information

Melvyn Stokes is Professor of Film History at University College London, UK. He is the author and editor of books including Charlot: How the French Discovered, Wrote About, Defended and Resurrected Charlie Chaplin (Oxford University Press, 2018); Cinéma et mémoire dans le cinéma Anglophone/Memory in-of English-speaking Cinema, ed. (with Z. Saleh) (Michel Houdiard, 2014); American History through Hollywood Film (Bloomsbury, December 2013); Gilda (BFI Film Classics, 2010); Cinéma et histoire/Cinema and History, ed. (with G. Menegaldo) (Michel Houdiard, 2008); D.W. Griffith’s “The Birth of a Nation”: A History of “the Most Controversial Motion Picture of All Time” (Oxford University Press, 2007); Going to the Movies: Hollywood and the Social Experience of Cinema, ed. (with R. Maltby and R. C. Allen) (University of Exeter Press, 2007); and Hollywood Abroad: Audiences and Cultural Exchange, ed. (with R. Maltby) (British Film Institute, 2004). Matthew Jones is Senior Lecturer in Cinema and Television History, De Montfort University, UK. He is the author of Science Fiction Cinema and 1950s Britain (Bloomsbury, 2017). Emma Pett is Lecturer in Film Consumption at the University of East Anglia, UK. She has published articles in journals including The Journal of British Cinema and Television and in edited books.

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