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9781666941999

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Images in films can be photographically produced or digitally composed. They can register the real or be saturated with internal contradictions and paradoxes. Image sequences can track continuing actions or jump abruptly across times and places. They can capture the past visually and present the visually unreal or impossible. Daniele Dottorini develops a systematic account of the kinds of shocks, surprises, and meanings that are uniquely presentable on film. His work will be indispensable for thinking about the full range of film’s powers. * Richard Eldridge, Charles and Harriett Cox McDowell Professor Emeritus of Philosophy, Swarthmore College, USA *

Author Information

Daniele Dottorini is Associate Professor of Cinema at the University of Calabria, Italy

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