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9781644231593

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""Each work is hung in an ornately carved, charred-black frame and veiled in fabric, which the viewer must lift in order to see the underlying canvas...dreamy portraits of Othello as a horned satyr, ensconced in swirls of lush, powdery pastels reminiscent of a Marc Chagall painting""-- ""Frieze magazine""

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Chris Ofili (b. 1968) explores the intersection of desire, identity, and representation in his work, which merges abstraction and figuration; vibrant, symbolic, and often mysterious, his paintings and works on paper incorporate a range of aesthetic and cultural sources. He has presented solo exhibitions at venues including the Institute of Contemporary Art, Miami (2017–2019); National Gallery, London (2017); New Museum, New York (2014–2015); The Arts Club of Chicago (2010); Tate Britain, London (2010 and 2005); Kestner Gesellschaft, Hannover (2006); The Studio Museum in Harlem, New York (2005); and Serpentine Gallery, London (1998). Ofili represented Britain in the 50th Venice Biennale in 2003 and won the Turner Prize in 1998. He lives and works in Trinidad. Jason Allen-Paisant is a scholar, an award-winning poet, and a writer. His work explores how Afro-diasporic artists and communities shape their futures through embodied philosophies, focusing on the intersections of poetry and philosophy. His debut poetry collection, Thinking with Trees, won the 2022 OCM Bocas Prize for Caribbean Literature. His second book, Self-Portrait as Othello, has earned significant accolades, including the 2023 Forward Prize for Best Collection and the T.S. Eliot Prize. He is a professor of critical theory and creative writing at the University of Manchester.

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