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OverviewSince the early 1950s, Chris Marker has embraced different filmmaking styles as readily as he has new technologies, and has broadened conceptions of the documentary in distinctly personal ways. He has travelled around the world, tracking political upheavals and historic events, as well as unearthing the stories buried under official reporting. This Full Product DetailsAuthor: Sarah Cooper , Diana Holmes , Robert Ingram , Bethan HirstPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 12.90cm , Height: 1.10cm , Length: 19.80cm Weight: 0.219kg ISBN: 9780719083648ISBN 10: 0719083648 Pages: 224 Publication Date: 01 October 2010 Audience: College/higher education , Professional and scholarly , Undergraduate , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Introduction: Screening Life 1 The Early Years: 1950-1961 2 A Second Beginning: 1962-1966 3 Collective Endeavour: 1967-1977 4 Continuity and Change: The 1980s 5 Level 5 and Beyond: 1990 Onwards Concluding Remarks Filmography Select Bibliography -- .ReviewsThis volume, dedicated to the life's work of the artist born Christian Francois Bouche-Villeneuve, possesses all the impelling power of rattan finger cuffs: once in, it is nearly impossible to get out, as Dr. Cooper's engaging style fairly generates enthusiasm. (Robert Dator, Film Matters, 2014) -- Robert Dator. Film Matters This volume, dedicated to the life's work of the artist born Christian Francois Bouche-Villeneuve, possesses all the impelling power of rattan finger cuffs: once in, it is nearly impossible to get out, as Dr. Cooper's engaging style fairly generates enthusiasm. (Robert Dator, Film Matters, 2014) -- . Author InformationSarah Cooper is Lecturer in Film Studies at King's College London -- . Tab Content 6Author Website:Countries AvailableAll regions |
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