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OverviewThis volume is a study of how the poetry of Chaucer continued to give pleasure in the eighteenth century despite the immense linguistic, literary, and cultural shifts that had occurred in the intervening centuries. It explores translations and imitations of Chaucer's work by Dryden, Pope, and other poets (including Samuel Cobb, John Dart, Christopher Smart, Jane Brereton, William Wordsworth, and Leigh Hunt) from the early eighteenth to the early nineteenth centuries, as well as investigating the beginnings of modern Chaucer editing and biography. It pays particular attention to critical responses to Chaucer by Dryden and the brothers Warton, and includes a chapter on the oblique presence of Chaucer in Samuel Johnson's Dictionary. It explores the ways in which Chaucer's poetry (including several works now known not to be by him) was described, refashioned, reimagined, and understood several centuries after its initial appearance. It also documents the way that views of Chaucer's own character were inferred from his work. The book combines detailed discussion of particular critical and poetic texts, many of them unfamiliar to modern readers, with larger suggestions about the ways in which poetry of the past is received in the future. Full Product DetailsAuthor: David Hopkins (Emeritus Professor of English Literature and Senior Research Fellow, University of Bristol) , Tom Mason (Research Fellow, University of Bristol)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.50cm , Height: 3.60cm , Length: 24.00cm Weight: 0.856kg ISBN: 9780192862624ISBN 10: 0192862626 Pages: 464 Publication Date: 30 June 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPreface Introduction Part One: Chaucer in 1700 1: Chaucer and the Progress of Poetry: The Seventeenth-century Bequest 2: The Father of Poetry and The Father of Criticism: Chaucer Renewed? 3: Palamon and Arcite: Archaism, Anachronism, Heroic Fortitude, and Uncaring Gods 4: The Cock and the Fox: Apologues, Amplification, and Embellishments Part Two: Comic and Naturalistic Tales 5: Chaucer's Characters, the Character of Chaucer, and the Character of Chaucer's Verse 6: The True, Enlivened, Natural: The Monk and The Merchant's Wife, January and May, Phoebus and the Crow, The Carpenter of Oxford, and The Miller of Trumpington 7: Some Eighteenth-Century Wives of Bath 8: Samuel Johnson and Chaucer: 'The First of our Versifyers Who Wrote Poetically' Part Three: Gothic, Romantic, and Visionary Poems 9: Visions, Proclamations, and Courts of Love 10: Pathos, Realism, and Romance: Chaucer and the Brothers Warton 11: Chaucer and the Temples of Fame 12: Poets and Antiquarians: The Eighteenth-Century BequestReviewsThis book makes an excellent contribution to studies of both Chaucerian reception and the eighteenth century. It is a fitting final work for Mason, who passed away shortly after its publication, and it will go on to enjoy an enduring 'second life' in future work on both these topics. * Katie Mennis, Translation and Literature * "This book makes an excellent contribution to studies of both Chaucerian reception and the eighteenth century. It is a fitting final work for Mason, who passed away shortly after its publication, and it will go on to enjoy an enduring 'second life' in future work on both these topics. * Katie Mennis, Translation and Literature * This is a deeply significant new work, which both crystallises and establishes a much-overlooked field of Chaucerian reception and provides an invaluable resource for future scholars of the subject. * Archiv f""ur das Studium der neueren Sprachen und Literaturen, 260:2 *" This book makes an excellent contribution to studies of both Chaucerian reception and the eighteenth century. It is a fitting final work for Mason, who passed away shortly after its publication, and it will go on to enjoy an enduring 'second life' in future work on both these topics. * Katie Mennis, Translation and Literature * This is a deeply significant new work, which both crystallises and establishes a much-overlooked field of Chaucerian reception and provides an invaluable resource for future scholars of the subject. * Archiv für das Studium der neueren Sprachen und Literaturen, 260:2 * Author InformationDavid Hopkins read Classics and English at Cambridge and wrote his PhD (on 'Dryden's Translations from Ovid') at the University of Leicester. He taught in the English Department at the University of Bristol from 1977, eventually becoming a Professor (now Emeritus) of English Literature. Most of his published work has been concerned with English poetry and literary criticism of the seventeenth and eighteenth centuries, and with the relations between English poetry and the Greek and Roman Classics. He is the author of books on Milton and Dryden, and co-editor of Dryden's poems and of the five-volume Oxford History of Classical Reception in English Literature. Tom Mason read English at Oxford and wrote his PhD at Cambridge. He taught in the English Department at the University of Bristol from 1978. Most of his published work has been concerned with English poetry and literary criticism of the seventeenth and eighteenth centuries. Tab Content 6Author Website:Countries AvailableAll regions |
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