Awards

• Winner of <DIV>Frank Luther Mott / Kappa Tau Alpha Research Award, 2013.</DIV> 2013

Overview

Social change triggered by the Civil Rights Movement in the 1960s sent the American Society of Newspaper Editors (ASNE) on a fifty-year mission to dismantle an exclusionary professional standard that envisioned the ideal journalist as white, straight, and male. In this book, Gwyneth Mellinger explores the complex history of the decades-long ASNE diversity initiative, which culminated in the failed Goal 2000 effort to match newsroom demographics with those of the U.S. population. Drawing upon exhaustive reviews of ASNE archival materials, Mellinger examines the democratic paradox through the lens of the ASNE, an elite organization that arguably did more than any other during the twentieth century to institutionalize professional standards in journalism and expand the concepts of government accountability and the free press. The ASNE would emerge in the 1970s as the leader in the newsroom integration movement, but its effort would be frustrated by structures of exclusion the organization had embedded into its own professional standards. Explaining why a project so promising failed so profoundly, Chasing Newsroom Diversity expands our understanding of the intransigence of institutional racism, gender discrimination, and homophobia within democracy.

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9780252078941

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Reviews

Using the insights of whiteness studies and a rich array of primary sources, Mellinger demonstrates how and why the American Society of Newspaper Editors failed to achieve its 1978 diversity initiative's hiring goals by the goal year of 2000. She persuasively argues that whiteness (and maleness) consistently operated as a professional norm within the ASNE across time, even as the organization's leaders attempted to diversify newsrooms across America. A compelling and provocative book. --Kathy Roberts Forde, author of Literary Journalism on Trial: Masson v. New Yorker and the First Amendment<br>

Author Information

Gwyneth Mellinger is a professor and chair of the Department of Mass Media and Visual Arts at Baker University. A volume in the series The History of Communication, edited by Robert W. McChesney and John C. Nerone

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