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OverviewThis longitudinal study weaves the complex stories of many disparate musics into an account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances. It focuses on agents, musicians and leaders on the ground, and the socioreligious and artistic changes that transformed many music forms. The book outlines the years of political difficulty for music and years of transition and government interventions to remake musics, and identifies the emerging ideologies and developments that laid the groundwork for a diversity of musics – traditional, Islamic, popular – to simultaneously exist in an unprecedented way. Full Product DetailsAuthor: David D. HarnishPublisher: Brill Imprint: Brill Volume: 314 Weight: 0.722kg ISBN: 9789004472600ISBN 10: 9004472606 Pages: 338 Publication Date: 16 September 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgements List of Figures and Tables Notes on Orthography, Terms, and Names Introduction Setting the Scene 1 Histories and Religions 2 Musics of Lombok 3 People and Places 4 Fieldwork Histories 5 Organizing Music and Identity 1 Change, Religion, and Identity in Music Cultures 1 Religion, Religious Identities, and Interreligious Relationships 2 Constructing and Dismantling Pluralism and Tolerance 3 Modernity and Change 4 Politicizing Identities and Musics 5 Changing Islams and a Sasak Movement 6 Music and Identity 7 Sonic Identities and Situating ‘Tradition’ 8 Exploring Change on Lombok 2 ‘Traditional’ Musics Functions, Contestations, Interpretations 1 Gamelan-type Ensembles 2 Gamelan Gong Sasak/Gong Kebyar 3 Vocal Music 4 Sacred Forms 5 Other Dance and Theatre 6 Summary 3 The Phenomenon of Gendang Beleq 1 From Ritual to Stage 2 Transitions 3 Analysis of Chapter 4 Wayang Sasak Shadowplay, Practices, Elements, and Narratives 1 Symbolism, Characters, and Identity 2 Accompaniment 3 Government Interventions 4 Situating Puppeteers and Processes 5 The Situation Today and Tomorrow 5 Music, Islam, and Islamization 1 Islam on Lombok 2 Issues of Music and Islam 3 Musik Islam 4 Zikrsamman 5 Marawis 6 Tongkek 7 Realizations of Burdah, Hadrah, and Rebana Burdah 8 Synthesis 6 Popular Musics and ‘Musik Rakyat’ 1 Weddings 2 Musik Rakyat: Gambus, Cilokaq, Kecimol Asli, and Amaq Sadar 3 Musik Rakyat on the Street: Gula Gending and Selober 4 Popular Musics: Cultural and Gender Identities, and Erni Ayuningsih 5 Global Styles and Novi Bhavan 6 Synthesis: Intersections and Divergences of Folk and Popular Musics 7 Minority Musics of Lombok 1 Overview of Other Musics of Minority Populations 2 Sasak Buddhists, Rituals, and Musics 3 Lombok Balinese Music Culture 4 Summary of Chapter 8 Nexus of Sasak/Balinese Interaction The Lingsar Festival 1 Reflective Takes on the Site, the Festival, and the Participants 2 Agamaization 3 Bridges to the Ancestors 4 Politicizing Lingsar: Contestation, Narratives, and the State 5 Tolerance of Ambiguity 6 A Long View 9 Performing Arts Education and Issues of Sustainability 1 Between Apathy and Sustainability 2 Indonesian Nation-building 3 Mochammad Yamin and lpsn 4 The Bidang Kesenian 5 Arts Education in the 21st Century 6 Contextualizing Benefits of Music Sustainability 7 Concluding Thoughts 10 Conclusion Making Sense of All of This 1 Musics as Representation 2 Histories of Change 3 Ambivalence, Sociopolitical Identities, and the Arts 4 Final Thoughts on Musics and Identities Bibliography IndexReviews"""It is not every day that a book on Lombok sees the light and certainly not a book that looks at its subject from so many different angles and over such a long period of time. [...] This book is a must for those who wish to understand Lombok but also to understand Indonesian national phenomena seen from the relatively micro-environment of Lombok."" – Dick van der Meij, Digital Repository of Endangered and Affected Manuscripts in Southeast Asia (DREAMSEA), University of Hamburg" It is not every day that a book on Lombok sees the light and certainly not a book that looks at its subject from so many different angles and over such a long period of time. (...) This book is a must for those who wish to understand Lombok but also to understand Indonesian national phenomena seen from the relatively micro-environment of Lombok. - Dick van der Meij, Digital Repository of Endangered and Affected Manuscripts in Southeast Asia (DREAMSEA), University of Hamburg Author InformationDavid D. Harnish, PhD (1991), University of San Diego, is Professor and Chair of Music at USD. He has published book chapters, articles, and Bridges to the Ancestors: Music, Myth, and Cultural Politics at an Indonesian Festival (U-Hawaii Press, 2006). Tab Content 6Author Website:Countries AvailableAll regions |
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