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9789088902536

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"This book, in A4 format, is the product of a training project for curators ""researching museum collections"", which encompasses an holistic approach, involving museologists, leather specialists, archaeologists, Egyptologists, archaeobotanists, illustrators and photographers. The introduction gives a short history of the Coptic Museum to set the scene for the study of ancient Egyptian footwear. It explains how the material is classified into distinct groups (sandals, shoes, boots and so on) and then subdivided into categories and types. The explanation of the terminology used is invaluable for anyone using the book as a basis for study or for comparison with other museum collection pieces and it is very helpful to be able to refer back to the detailed terminology as one progresses through the book. In the first half of the catalogue, each item is given a very detailed description including type, materials, measurements, catalogue numbers and locations. This is followed by a discussion relating each item to other similar items in the catalogue, with detailed notes about the characteristics of the different types of footwear (which is again very helpful for comparison). The rest of the book is a treasure trove of photographs and illustrations. The range and quality of these completely complement the written materials and are almost (though not quite) as good as seeing the objects themselves. -- Ancient Egypt Magazine Ancient Egypt Magazine"

This book, in A4 format, is the product of a training project for curators researching museum collections , which encompasses an holistic approach, involving museologists, leather specialists, archaeologists, Egyptologists, archaeobotanists, illustrators and photographers. The introduction gives a short history of the Coptic Museum to set the scene for the study of ancient Egyptian footwear. It explains how the material is classified into distinct groups (sandals, shoes, boots and so on) and then subdivided into categories and types. The explanation of the terminology used is invaluable for anyone using the book as a basis for study or for comparison with other museum collection pieces and it is very helpful to be able to refer back to the detailed terminology as one progresses through the book. In the first half of the catalogue, each item is given a very detailed description including type, materials, measurements, catalogue numbers and locations. This is followed by a discussion relating each item to other similar items in the catalogue, with detailed notes about the characteristics of the different types of footwear (which is again very helpful for comparison). The rest of the book is a treasure trove of photographs and illustrations. The range and quality of these completely complement the written materials and are almost (though not quite) as good as seeing the objects themselves. -- Ancient Egypt Magazine Ancient Egypt Magazine

This book, in A4 format, is the product of a training project for curators researching museum collections , which encompasses an holistic approach, involving museologists, leather specialists, archaeologists, Egyptologists, archaeobotanists, illustrators and photographers. The introduction gives a short history of the Coptic Museum to set the scene for the study of ancient Egyptian footwear. It explains how the material is classified into distinct groups (sandals, shoes, boots and so on) and then subdivided into categories and types. The explanation of the terminology used is invaluable for anyone using the book as a basis for study or for comparison with other museum collection pieces and it is very helpful to be able to refer back to the detailed terminology as one progresses through the book. In the first half of the catalogue, each item is given a very detailed description including type, materials, measurements, catalogue numbers and locations. This is followed by a discussion relating each item to other similar items in the catalogue, with detailed notes about the characteristics of the different types of footwear (which is again very helpful for comparison). The rest of the book is a treasure trove of photographs and illustrations. The range and quality of these completely complement the written materials and are almost (though not quite) as good as seeing the objects themselves. -- Regina De Giovanni Ancient Egypt Magazine, Dec2014/Jan 2015

Author Information

André J. Veldmeijer (assistant director for Egyptology at the Netherlands Flemish Institute Cairo) studied archaeology at Leiden University and received his PhD in Vertebrate Palaeontology from Utrecht University in 2006. He has worked in Egypt since 1995 as a leather, footwear and cordage specialist in various research projects. His second PhD, on the archaeology of footwear, is planned for the next four years. Salima Ikram is Distinguished University Professor of Egyptology at the American University in Cairo, and has excavated extensively in Egypt as well as in Turkey. She has directed the Animal Mummy Project, the Amenmesse Project (KV10/KV63), the North Kharga Oasis Darb Ain Amur Project, and headed the archaeozoology team at Kinet Hoyuk in Turkey. She has a variety of research interests, especially the interaction between humans and animals, ancient Egyptian foodways, rock art, death, and mummies of both humans and animals. She has published extensively both for scholarly and non-specialist audiences, as well as for children, and is currently collaborating on the publication of the animal mummies in the Museo Egizio, Turin. Ikram is a member of the MAHES (Momies Animales et Humaines EgyptienneS) project.

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