"""But He Doesn't Know the Territory""": The Story behind Meredith Willson's The Music Man

Author:   Meredith Willson
Publisher:   University of Minnesota Press
ISBN:  

9781517910471


Pages:   208
Publication Date:   22 September 2020
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
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"""But He Doesn't Know the Territory""": The Story behind Meredith Willson's The Music Man


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Author:   Meredith Willson
Publisher:   University of Minnesota Press
Imprint:   University of Minnesota Press
Dimensions:   Width: 14.00cm , Height: 2.50cm , Length: 21.00cm
ISBN:  

9781517910471


ISBN 10:   1517910471
Pages:   208
Publication Date:   22 September 2020
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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This is the first-person perspective of a deeply canny and meticulous chronicler who managed to preserve the creative process as if it were spontaneously happening, catching the mundane moments and details that illuminate and humanize the story. The moment-to-moment ups and downs, ins and outs, and subtly shifting creative process that careen forward like a roller coaster all somehow make sense, and those details illustrate in most vivid terms what it feels like to solve a puzzle for which you're not certain you have all the pieces. --Michael Feinstein, from the Foreword Dollars to doughnuts, Meredith Willson dotes on brass bands. In The Music Man, he has translated the thump and razzle-dazzle of brass-band lore into a warm and genial cartoon of American life. --Brooks Atkinson, New York Times, 1957


This is the first-person perspective of a deeply canny and meticulous chronicler who managed to preserve the creative process as if it were spontaneously happening, catching the mundane moments and details that illuminate and humanize the story. The moment-to-moment ups and downs, ins and outs, and subtly shifting creative process that careen forward like a roller coaster all somehow make sense, and those details illustrate in most vivid terms what it feels like to solve a puzzle for which you're not certain you have all the pieces. -Michael Feinstein, from the Foreword Dollars to doughnuts, Meredith Willson dotes on brass bands. In The Music Man, he has translated the thump and razzle-dazzle of brass-band lore into a warm and genial cartoon of American life. -Brooks Atkinson, New York Times, 1957


"""This is the first-person perspective of a deeply canny and meticulous chronicler who managed to preserve the creative process as if it were spontaneously happening, catching the mundane moments and details that illuminate and humanize the story. The moment-to-moment ups and downs, ins and outs, and subtly shifting creative process that careen forward like a roller coaster all somehow make sense, and those details illustrate in most vivid terms what it feels like to solve a puzzle for which you’re not certain you have all the pieces.""—Michael Feinstein, from the Foreword ""Dollars to doughnuts, Meredith Willson dotes on brass bands. In The Music Man, he has translated the thump and razzle-dazzle of brass-band lore into a warm and genial cartoon of American life.""—Brooks Atkinson, New York Times, 1957"


Author Information

Meredith Willson (19021984) was a renowned composer, songwriter, and musician. He is best known for Meredith Willson's The Music Man and composing the music for The Unsinkable Molly Brown. Michael Feinstein is a Grammy-nominated entertainer and educator. He is founder of the Great American Songbook Foundation and author of The Gershwins and Me: A Personal History in Twelve Songs.

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