Overview

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

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9780813180946

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Broadway Goes To War is a detailed description of the historical context that served as the background of what playwrights were concerned about during years of World War II. -- NewsNotes Dance Blog In this impeccably researched study we are shown that American theatre of the thirties and forties presented a much more balanced view of the divide in public opinion than the flag-waving Hollywood movies. -- Stage and Cinema McLaughlin and Parry have taken on much impressive research to accomplish this project, revealing a fascinating depiction of connections among theatrical history, culture, and politics. -- Hometowns to Hollywood Broadway Goes to War fits well with the existing literature concerning World War II and popular culture, and successfully connects popular culture to the complicated politics of the period. In contrast to Hollywood films, McLaughlin and Parry argue that wartime theater productions took a nuanced approach to exploring new possibilities in the interest of promoting social change. In the process, such plays also highlighted some of the challenges faced by ordinary people during the war, along with their attempts to overcome and create a better postwar world. -- Ralph W. Brown III, professor of history at the University of Louisiana, Monroe

Broadway Goes to War fits well with the existing literature concerning World War II and popular culture, and successfully connects popular culture to the complicated politics of the period. In contrast to Hollywood films, McLaughlin and Parry argue that wartime theater productions took a nuanced approach to exploring new possibilities in the interest of promoting social change. In the process, such plays also highlighted some of the challenges faced by ordinary people during the war, along with their attempts to overcome and create a better postwar world. -- Ralph W. Brown III, professor of history at the University of Louisiana, Monroe

Author Information

Robert L. McLaughlin is professor of English at Illinois State University. He is the author of Stephen Sondheim and the Reinvention of the American Musical and coauthor of We'll Always Have the Movies: American Cinema during World War II. He lives in Bloomington, Illinois.Sally E. Parry is professor of English and is the Associate Dean for Academic Programs and Student Affairs for the College of Arts and Sciences at Illinois State University. She is coauthor of We'll Always Have the Movies: American Cinema during World War II and editor of Go East, Young Man: Sinclair Lewis on Class in America. She lives in Bloomington, Illinois.

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