Overview

The old screenwriting motto is, ""Work on your script, and the jobs will come."" This is false. A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply ""get a production assistant job."" But then what? And how do you get that job to begin with? Breaking into TV Writing contains all the crucial information left out of most screenwriting books, like: How to get your first job in TV What TV writing samples you need How to break into the elusive TV writers' room How a writers' room creates an episode of TV Which assistant jobs are worth your time (and which you should avoid at all costs) Anton Schettini provides a rare insider's glimpse of the modern-day network and streaming TV writers' room. Here, you will find practical advice, career path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer. The industry would love to tell you to put your head down, work hard, write a lot, and pay your dues; Schettini will show you why that hackneyed mantra is misleading, and how you can put yourself in the best position to break through the barriers and see your work on the TV screen.

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"Of the thousands of aspiring writers I've encountered in over forty years of teaching, Anton Schettini is among that happy few who actually managed to become one. Now he's written a book that will help others who want to do the same.-- "", Director, Bleier Center for Television and Popular Culture, Syracuse University"""

Author Information

Anton Schettini is a screenwriter, producer, and author. He has worked in 14 different TV writers' rooms, which has included writing scripts for primetime TV comedies. A native New Yorker, Anton betrayed his East Coast roots and moved to Los Angeles to pursue screenwriting. He has a deep knowledge of the various paths, obstacles, drudgery, and opportunity that together make up a TV writing career. He hopes to share this knowledge with the next wave of TV writers. George Newbern is an Earphones Award-winning narrator and a television and film actor best known for his roles as Brian MacKenzie in Father of the Bride and Father of the Bride Part II, as well as Danny in Friends. As a voice actor, he is notable for his role as Superman on the Cartoon Newtork series Static Shock, Justice League, and Justice League Unlimited. He has guest starred on many television series, including Scandal, The Mentalist, Private Practice, CSI: Miami, and Numb3rs. He holds a BA in theater arts from Northwestern University.

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