Overview

From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson's unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker's evolving aesthetic and its historical context to argue that Anderson's films create new, often ambivalent, narratives of American identity in a media-saturated world. Blossoms and Blood explores Anderson's films in relation to the aesthetic and economic shifts within the film industry and to America's changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson's work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson's work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture.

Full Product Details

Author:   Jason Sperb
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.426kg
ISBN:  

9781477302217

ISBN 10:   1477302212
Pages:   296
Publication Date:   01 December 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Introduction: White-Noise Media Culture and the Films of Paul Thomas Anderson Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and Narrative Ambiguity in Hard Eight (1996) Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) Chapter 3. If That Was in a Movie, I Wouldn’t Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) Afterword. On The Master Notes Select Bibliography Index

Reviews

Jason Sperb is not a fan of Paul Thomas Anderson. He's something much better-an intelligent critic trying to discern what's valuable and what's not in Anderson's body of cinematic work. * Milwaukee Express * Blossoms Blood, Jason Sperb's very strong new book, doesn't so much argue the case for PTA's greatness as show, slowly and methodically, how he moved through and within the ranks of American filmmaking-a case study of how even the most self-determined directors are always borne aloft by cultural events. * CIneaste * Sperb has complete mastery of the critical and industrial histories of the films. * Choice *

Jason Sperb is not a fan of Paul Thomas Anderson. He's something much better-an intelligent critic trying to discern what's valuable and what's not in Anderson's body of cinematic work. Milwaukee Express Blossoms Blood, Jason Sperb's very strong new book, doesn't so much argue the case for PTA's greatness as show, slowly and methodically, how he moved through and within the ranks of American filmmaking-a case study of how even the most self-determined directors are always borne aloft by cultural events. CIneaste Sperb has complete mastery of the critical and industrial histories of the films. Choice

Jason Sperb is not a fan of Paul Thomas Anderson. He's something much better-an intelligent critic trying to discern what's valuable and what's not in Anderson's body of cinematic work. -- David Luhrssen Milwaukee Express Blossoms & Blood, Jason Sperb's very strong new book, doesn't so much argue the case for PTA's greatness as show, slowly and methodically, how he moved through and within the ranks of American filmmaking-a case study of how even the most self-determined directors are always borne aloft by cultural events. CIneaste Sperb has complete mastery of the critical and industrial histories of the films. Choice

Author Information

Jason Sperb is a lecturer in the Department of Radio/Television/Film at Northwestern University in Evanston, Illinois.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions