Overview

Virtuosic in his use of literary forms, nurtured and unbounded by his identities as a Black man, a gay man, an intellectual, and a Southerner, Randall Kenan was known for his groundbreaking fiction. Less visible were his extraordinary nonfiction essays, published as introductions to anthologies and in small journals, revealing countless facets of Kenan’s life and work. Flying under the radar, these writings were his most personal and autobiographical: memories of the three women who raised him—a grandmother, a schoolteacher great-aunt, and the great-aunt’s best friend; recollections of his boyhood fear of snakes and his rapturous discoveries in books; sensual evocations of the land, seasons, and crops—the labor of tobacco picking and hog killing—of the eastern North Carolina lowlands where he grew up; and the food (oh the deliriously delectable Southern foods!) that sustained him. Here too is his intellectual coming of age; his passionate appreciations of kindred spirits as far-flung as Eartha Kitt, Gordon Parks, Ingmar Bergman, and James Baldwin. This powerful collection is a testament to a great mind, a great soul, and a great writer from whom readers will always wish to have more to read.

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9781324064596

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Reviews

"""Each essay in this collection is an education, an illumination, a bridge from the past to the present, to the future, as long as Randall Kenan’s writing is read. The breadth of his knowledge of life, food, literature, American history, his own history, touches down here again and again in moments of mixed grace, candor, and wit. The result is a book you sit with instead of rush through, lingering like you might with a friend when you just don’t want to say goodbye."" -- Alexander Chee, author of How to Write an Autobiographical Novel ""Randall Kenan’s erudition was matched only by his imagination, his love for his homeplace only by his vast appreciation of elsewhere, his profound engagement with Black culture only by his daring and thoughtful explorations of its broader meanings. Few writers are as secure in their various identities as he was and as generous in celebrating the worlds of others. This collection is a tribute to one of the great writers in the African American tradition and assures his place in the canon. It also reminds us how much we need to hear his voice today."" -- Henry Louis Gates Jr., author of The Black Church ""Almost everything in the inimitable sound of Randall Kenan’s baritone voice is contained in this collection of beautiful thinking and feeling. The warm, mercurial intelligence of Kenan’s smile, especially, is made word in this collection of beautiful thinking and feeling, thank goodness."" -- Terrance Hayes, author of American Sonnets for My Past and Future Assassins ""In these wonderfully far-ranging essays Randall Kenan writes with wit, warmth, and humility about Baldwin and Bergman and Blackness and the great Eartha Kitt. Best of all, he writes about himself: his fascinating childhood, his relationship with the South, his thoughts on Star Wars and Race and writing and pop culture and barbecue. He understood we live in perilous times; he understood the necessity of joy."" -- Margot Livesey, author of The Boy in the Field ""Stirring, deeply thought-through essays and letters on topics ranging from sexuality and racism to foodways and the sense of place... A superb introduction to a writer deserving much greater recognition."" -- Kirkus (starred review)"

Stirring, deeply thought-through essays and letters on topics ranging from sexuality and racism to foodways and the sense of place... A superb introduction to a writer deserving much greater recognition.-- Kirkus (starred review) Almost everything in the inimitable sound of Randall Kenan's baritone voice is contained in this collection of beautiful thinking and feeling. The warm, mercurial intelligence of Kenan's smile, especially, is made word in this collection of beautiful thinking and feeling, thank goodness.--Terrance Hayes, author of American Sonnets for My Past and Future Assassins Each essay in this collection is an education, an illumination, a bridge from the past to the present, to the future, as long as Randall Kenan's writing is read. The breadth of his knowledge of life, food, literature, American history, his own history, touches down here again and again in moments of mixed grace, candor, and wit. The result is a book you sit with instead of rush through, lingering like you might with a friend when you just don't want to say goodbye.--Alexander Chee, author of How to Write an Autobiographical Novel In these wonderfully far-ranging essays Randall Kenan writes with wit, warmth, and humility about Baldwin and Bergman and Blackness and the great Eartha Kitt. Best of all, he writes about himself: his fascinating childhood, his relationship with the South, his thoughts on Star Wars and Race and writing and pop culture and barbecue. He understood we live in perilous times; he understood the necessity of joy.--Margot Livesey, author of The Boy in the Field Randall Kenan's erudition was matched only by his imagination, his love for his homeplace only by his vast appreciation of elsewhere, his profound engagement with Black culture only by his daring and thoughtful explorations of its broader meanings. Few writers are as secure in their various identities as he was and as generous in celebrating the worlds of others. This collection is a tribute to one of the great writers in the African American tradition and assures his place in the canon. It also reminds us how much we need to hear his voice today.--Henry Louis Gates Jr., author of The Black Church

Author Information

Randall Kenan (1963–2020) was the former chancellor of the Fellowship of Southern Writers and a professor of English and comparative literature at the University of North Carolina–Chapel Hill. He lived in Hillsborough, North Carolina.

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