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9781666921380

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Apryl Lewis's Black Feminism and Traumatic Legacies in Contemporary African American Literature examines the works of Yaa Gyasi, Tayari Jones, Jesmyn Ward, and Colson Whitehead in order discuss how bodily autonomy and reclamation of the self is possible in the face of mass incarceration, slavery and other traumas visited on black bodies through the ages. Lewis methodically sifts through these novels to unpack intergenerational trauma and catharsis in order to conjure up a healing for her readership. Black Feminism and Traumatic Legacies is important for its much-needed intersectional approach to the field of trauma studies.--Kimberly Nichele Brown, author of Writing the Black Revolutionary Diva: Women's Subjectivity and the Decolonizing Text Making incisive and important points, Apryl Lewis lucidly explores the myriad ripple effects of shame in African American and postcolonial history as represented by two gendered dimensions of trauma: what is imprinted and what is erased.--Alan Nadel, author of Invisible Criticism: Ralph Ellison and the American Canon and The Theatre of August Wilson

Apryl Lewis's Black Feminism and Traumatic Legacies in Contemporary African American Literature examines the works of Yaa Gyasi, Tayari Jones, Jesmyn Ward, and Colson Whitehead in order discuss how bodily autonomy and reclamation of the self is possible in the face of mass incarceration, slavery and other traumas visited on black bodies through the ages. Lewis methodically sifts through these novels to unpack intergenerational trauma and catharsis in order to conjure up a healing for her readership. Black Feminism and Traumatic Legacies is important for its much-needed intersectional approach to the field of trauma studies. Lewis's discussion of how four Black authors cause readers to contemplate and, more importantly, confront the ongoing trauma of slavery is an essential consideration for scholars of American Literature today. By identifying ""crooked room""-thinking in this literature, Lewis shows how Black women in the United States constantly compromise their personhood. Such realizations and others that Lewis offers in this work are crucial for achieving social change. Making incisive and important points, Apryl Lewis lucidly explores the myriad ripple effects of shame in African American and postcolonial history as represented by two gendered dimensions of trauma: what is imprinted and what is erased. Writing with both academic authority and personal candor, Apryl Lewis juxtaposes Black feminist scholarship and trauma studies to explain white supremacy and misogyny's ongoing violence--especially against Black women. While Lewis is incisive in naming these threats and exploring their effects in both expansive and intimate contexts, this work is also ultimately hopeful for showing the various ways that contemporary African American literature provides vital healing and redress.

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Apryl Lewis is English Instructor at Fresno City College.

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