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Author:   Julia Vassilieva ,  Deane Williams ,  Raymond Bellour (Centre National de la Recherche Scientifique (CNRS)) ,  Cristina Álvarez López  (Independent Scholar)
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
Edition:   0
Volume:   0
ISBN:  

9789463728706

ISBN 10:   9463728708
Pages:   246
Publication Date:   06 July 2020
Audience:   Professional and scholarly ,  Adult education ,  Professional & Vocational ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Contents Acknowledgements Introduction: A Tradition of Desiring Julia Vassilieva and Deane Williams 35 Years On: Is the 'Text', Once Again, Unattainable? Raymond Bellour (translated by Adrian Martin) To Attain the Text. But Which Text? Cristina ‰lvarez López & Adrian Martin Compounding the Lyric Essay Film: Towards a Theory of Poetic Counter-Narrative Laura Rascaroli ""Every Love Story is a Ghost story"": The Spectral Network of Laurie Anderson's Heart of Dog (2015). Deane Williams The Non-Linear Treatment of Disquisition - Multiscreen Installation as Essay. Ross Gibson Deborah Stratman's The Illinois Parables (2016): Intellectual Vagabond and Vagabond Matter Katrin Pesch Rethinking the Human, Rethinking the Essay Film: The Ecocritical Work of The Pearl (2016) Belinda Smaill Montage Reloaded: from the Russian Avant-Garde to the Audio-Visual Essay Julia Vassilieva 'All I Have to Offer is Myself"": the Filmmaker as Narrator Richard Misek The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking. Catherine Grant On Making Memory Posthumously: The Home Movie as Essay Film Thomas Elsaesser Index"

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Author Information

Julia Vassilieva is Australian Research Council Research Fellow and lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is author of Narrative Psychology (Palgrave Macmillan, 2016) and co-editor of After Taste: Cultural Value and the Moving Image (Routledge, 2013). Her publications have also appeared in Camera Obscura, Film-Philosophy, Continuum: Journal of Media & Cultural Studies, Screening the Past, Critical Arts, Kinovedcheskie Zapiski, Rouge, Lola, Senses of Cinema, History of Psychology, and a number of edited collections. Deane Williams is Associate Professor in Film and Screen Studies, Monash University, Melbourne, Australia. From 2007-2017, he was editor of the journal Studies in Documentary Film, and his books include Australian Post-War Documentary Film: An Arc of Mirrors (2008), Michael Winterbottom (with Brian McFarlane, 2009), the three-volume Australian Film Theory and Criticism (co-edited with Noel King and Constantine Verevis, 2013-2018), and The Cinema of Sean Penn: In and Out of Place (2016).

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