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OverviewThis book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practiceas an ongoing struggle to think with immanence. Full Product DetailsAuthor: Daniel KoczyPublisher: Springer International Publishing AG Imprint: Springer International Publishing AG Edition: 1st ed. 2018 Weight: 0.454kg ISBN: 9783319956176ISBN 10: 3319956175 Pages: 238 Publication Date: 14 September 2018 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents1. Introduction: Theatrical Encounters.- 2. Neither with you nor without you: Performance and Philosophy in Beckett’s Non-relational Aesthetics.- 3. A Thousand Failures and A Thousand Inventions: Towards a Method for Performance Philosophy.- 4. Belacquobatics: Deleuze, Affect and Beckett’s Affective Athleticism.- 5. Belacquobatic-secrets: Deleuze and the Purgatorial Rebellion of the Beckettian Body.- 6. Pure and Theatrical Optical-Sound Situations: Automation and the Image in Beckett’s Play.- 7. A Crystal-Theatre: Suffering for Love.- 8. Conclusion.ReviewsAuthor InformationDaniel Koczy is a performance theorist and philosopher. He teaches philosophy at Newcastle University, UK, and in performance at Northumbria University, UK. His research has appeared in the Deleuze Studies journal (2012) and in the edited collection Deleuze and Beckett (2015). Tab Content 6Author Website:Countries AvailableAll regions |
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