Baroque, Venice, Theatre, Philosophy

Author:   Will Daddario
Publisher:   Springer International Publishing AG
Edition:   Softcover reprint of the original 1st ed. 2017
ISBN:  

9783319841793


Pages:   261
Publication Date:   01 August 2018
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Baroque, Venice, Theatre, Philosophy


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Overview

This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.

Full Product Details

Author:   Will Daddario
Publisher:   Springer International Publishing AG
Imprint:   Springer International Publishing AG
Edition:   Softcover reprint of the original 1st ed. 2017
Weight:   0.454kg
ISBN:  

9783319841793


ISBN 10:   3319841793
Pages:   261
Publication Date:   01 August 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction.- Part I. Baroque Pastoral.- Chapter 1. Garden Thinking and Baroque Pastoral.- Chapter 2. Pastoral Askew and Aslant.- Chapter 3. Jesuit Pastoral Theatre.- Part II. Discipline and Excess.- Chapter 4. Ruzzante Takes Place.- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo'.- Chapter 6. Baroque Diarchic Self.- Bibliography.- Index.

Reviews

A worthy addition to the Jesuit theater bookshelf. (Kevin J. Wetmore, Journal of Jesuit Studies, Vol. 5, 2018)


Author Information

Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.

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