Badfilm: Incompetence, Intention and Failure

Author:   Becky Bartlett
Publisher:   Edinburgh University Press
ISBN:  

9781474450423


Pages:   200
Publication Date:   22 September 2021
Format:   Hardback
Availability:   In Print   Availability explained
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Badfilm: Incompetence, Intention and Failure


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Overview

This fascinating book examines badfilms; a subcategory of 'bad cinema' marked by incompetence, and typically exacerbated by material poverty and restrictive production conditions. It develops a framework through which the formal characteristics of failure are identified and analysed, and identifies intentionality as central to how badfilms are appreciated and valued as cult texts. Drawing on debates about cult cinema and film form, the book includes a series of case studies of classic 'so bad they're good' films, like Plan 9 From Outer Space, Robot Monster and The Beast of Yucca Flats, investigating the impact of failures in post-production sound, recycled footage, performance and editing in American badfilms from the 1950s and 1960s. In doing so, it offers ways to consider how we identify and respond to failure, and how failure itself works.

Full Product Details

Author:   Becky Bartlett
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 1.30cm , Length: 23.40cm
Weight:   0.458kg
ISBN:  

9781474450423


ISBN 10:   1474450423
Pages:   200
Publication Date:   22 September 2021
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Badfilm: Incompetence, Intention and Failure is a thorough and impressive consideration of the 'badfilm'. Bartlett investigates technical and aesthetic factors underpinning such films, including editing, sound, acting, and the use of stock footage. She also interrogates the complex ways that such films are embraced by niche audiences through engaging with issues such as cultural value and taste. Clearly and engagingly written, this is by far the best work produced so far on this fascinating subject.--Jamie Sexton, University of Northumbria


Author Information

Becky Bartlett, Associate Lecturer in Film Studies

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