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OverviewFull Product DetailsAuthor: R. S. WhitePublisher: Fairleigh Dickinson University Press Imprint: Fairleigh Dickinson University Press Dimensions: Width: 15.90cm , Height: 2.20cm , Length: 23.60cm Weight: 0.463kg ISBN: 9781611478556ISBN 10: 1611478553 Pages: 218 Publication Date: 10 September 2015 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgments 1. Aspects of Avant-Garde 2. Avant-Garde Hamlet: Then and Now 3. Hamlet as Avant-Garde Text 4. Hamlet and Avant-Garde Literature 5. On Stage: Hamlet and Avant-Garde Theatre 6. On Screen: Hamlet and Film Genres Epilogue BibliographyReviewsThere is certainly much to welcome in this new study of Hamlet's afterlives... White writes with real felicity, and he has done us all a service in providing so much useful information so intriguingly packaged... This is a hugely worthwhile and abundantly provocative book. Renaissance Quarterly Revolution, rebellion, absurdism, the right to mourn: these are all expressions of Shakespeare's Hamlet. But in R.S. White'sAvant -Garde Hamlet, the author doesn't posit these as expository universal qualities: rather they are driving energies, powering productions in a diversity of ways that makes each production real, vital, experimental, worth staging for more than the power of the beautiful meditations therein. A recent review of The Bell Shakespeare's Hamlet suggested: 'When companies approach Shakespeare without a clearly defined vision or a genuinely contemporary take on the text, it makes the very notion of the Bard's 'universal truths' look increasingly tenuous.' R.S. White knows this, and he infuses his understanding of it into the very architecture, the living blood-flow, of Avant Garde Hamlet. In his hands, Hamlet is ever-now, ever-new. -- Philippa Kelly, Author of The King and I, Shakespeare Now! Series Revolution, rebellion, absurdism, the right to mourn: these are all expressions of Shakespeare's Hamlet. But in R.S. White'sAvant -Garde Hamlet, the author doesn't posit these as expository universal qualities: rather they are driving energies, powering productions in a diversity of ways that makes each production real, vital, experimental, worth staging for more than the power of the beautiful meditations therein. A recent review of The Bell Shakespeare's Hamlet suggested: 'When companies approach Shakespeare without a clearly defined vision or a genuinely contemporary take on the text, it makes the very notion of the Bard's 'universal truths' look increasingly tenuous.' R.S. White knows this, and he infuses his understanding of it into the very architecture, the living blood-flow, of Avant Garde Hamlet. In his hands, Hamlet is ever-now, ever-new. -- Philippa Kelly, Author of The King and I, Shakespeare Now! Series Author InformationR. S. White is a chief investigator for the Australian Research Council’s Centre of Excellence for the History of Emotions and Winthrop Professor of English at the University of Western Australia. He is author of John Keats: A Literary Life. Tab Content 6Author Website:Countries AvailableAll regions |