Automatic Artistry: Negotiating Musical Creativity in a Technological Age

Author:   Alyssa Michaud
Publisher:   University of California Press
Volume:   8
ISBN:  

9780520405776


Pages:   250
Publication Date:   27 January 2026
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Automatic Artistry: Negotiating Musical Creativity in a Technological Age


Overview

Musicians have access to an ever-growing array of technological tools, creating a world rich with new artistic possibilities. Yet the incursion of automation technology into creative pursuits has long sparked panic about the threat to human creativity and authenticity. Relating a 120-year history of automation in music, this book provides a timely historical demonstration of how older technologies of automation gave rise to initial unease, which was then followed by integration and exploration of their generative potentials. Journeying from the player piano at the turn of the twentieth century, through the introduction of drum machines and synthesizers, to the holographic pop stars of the twenty-first century, Alyssa Michaud shows how musical subcultures have shifted the parameters of debate around the meaning of automation and creativity. In riveting prose, Automatic Artistry directly addresses the choices we now face as we adapt to the newest wave of automated musical tools.

Full Product Details

Author:   Alyssa Michaud
Publisher:   University of California Press
Imprint:   University of California Press
Volume:   8
ISBN:  

9780520405776


ISBN 10:   0520405773
Pages:   250
Publication Date:   27 January 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Author Information

Alyssa Michaud is Associate Professor of Music at Ambrose University.

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