Overview

Australian Women's Historical Photography: Other Times, Other Views examines the works of six women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women's Movement, the Great War of 1914-1918, Australia's imperial occupation of New Guinea, the rise of anti-Western sentiment in China and debates about photography's status as an art form. Women's works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia's cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past.

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9781839990793

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Reviews

‘A deep dive into the work of six women practitioners, this book adds some much-needed texture and nuance to the existing history of Australian photography. Ranging from professional portraits to personal snapshots, the many photographs reproduced in Other Times, Other Views document what its authors call an “idiosyncratic life cycle” for the women who made them, providing significant insights not only into Australia’s past but also an opportunity for reflection on that nation’s present, and even its possible futures.’— Geoffrey Batchen, Professor of History of Art, University of Oxford ‘This book changes how we see Australian photography. Sharing the vision of six remarkable women of the late colonial period, from celebrity portraiture, to modernist abstraction, to loving records of First Nations family life, it offers a fresh, highly readable perspective on Australian history and culture.’ — Jane Lydon, Wesfarmers Chair in Australian History, The University of Western Australia ‘This book looks beyond accepted social, political, cultural and aesthetic readings of the photograph. In a long overdue reassessment of those taken by women in Australia’s period of cultural modernity, the authors ably consider the importance of the medium, in all its diversity, as social document and decolonising aid.’ — Judy Annear, Honorary Fellow in Culture and Communication, The University of Melbourne

Author Information

Anne Maxwell is Professor in the School of Culture and Communication at the University of Melbourne. She has published five books and numerous articles and essays and on postcolonial and colonial literature and photography. Lucy Van is a Senior Research Associate in the School of Culture and Communication at the University of Melbourne. Her research areas include colonial photography and postcolonial poetry.

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