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OverviewThis book offers new essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson's legacy since his death in 2005. Full Product DetailsAuthor: S. Shannon , D. WilliamsPublisher: Palgrave USA Imprint: Palgrave Macmillan Edition: 2004 ed. Dimensions: Width: 15.50cm , Height: 2.10cm , Length: 23.50cm Weight: 0.519kg ISBN: 9781403964069ISBN 10: 1403964068 Pages: 225 Publication Date: 21 August 2004 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsA cogent and timely reminder of the tacit assumptions and invisible inflections that critics and audiences bring to theatrical experience. In this nuanced and richly variegated collection of perspectives on Wilson s importantly controversial The Ground on Which I Stand speech, Williams and Shannon have produced a dynamic exploration of black aesthetics and contemporary theater, which provides a fitting tribute to Wilson s memory and to his spirit. - Alan Nadel, author of May All Your Fences Have Gates: Essays on the Drama of August Wilson and August Wilson, Completing the Twentieth-Century Cycle Registers the continuing significance of the playwright s 1996 speech that shocked American theatre critics with its echoes of a 1960s Black Arts militancy. In addition to analysis of specific Wilson texts and his construction of black female characters, this lively collection includes two previously unpublished interviews, one with Charles Dutton, who played the male lead in three Wilson plays, and a second with Wilson himself in which he muses about projects he will pursue once the ten-play cycle is completed. Capping the volume is a play that demonstrates how Wilson s spirituality and activism inspires a generation of younger black women playwrights. - Sandra L. Richards, Professor, Northwestern University Author InformationDana Williams is Assistant Professor of African American Literature at Howard University. Sandra Shannon is Professor of African American and American Drama at Howard University. Tab Content 6Author Website:Countries AvailableAll regions |