Overview

Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.

Full Product Details

Author:   C. W. Marshall (Associate Professor, University of British Columbia, Canada) ,  Tom Hawkins (Ohio State University, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.603kg
ISBN:  

9781472588845

ISBN 10:   1472588843
Pages:   304
Publication Date:   19 November 2015
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements 1. Ignorance and the Reception of Comedy in Antiquity Tom Hawkins and C. W. Marshall 2. Juvenal and the Revival of Greek New Comedy at Rome Mathias Hanses 3. Parrhesia and Pudenda: Genital Pathology and Satiric Speech Julia Nelson Hawkins 4. Dio Chrysostom and the Naked Parabasis Tom Hawkins 5. Favorinus and the Comic Adultery Plot Ryan Samuels 6. Comedies and Comic Actors in the Greek East: An Epigraphical Perspective Fritz Graf 7. Plutarch, Epitomes, and Athenian Comedy C. W. Marshall 8. Lucian’s Aristophanes: On Understanding Old Comedy in the Roman Imperial Period Ralph M. Rosen 9. Exposing Frauds: Lucian and Comedy Ian C. Storey 10. Revoking Comic License: Aristides’ Or. 29 and the Performance of C Comedy Anna Peterson 11. Aelian and Comedy: Four Studies C. W. Marshall 12. The Menandrian world of Alciphron’s Letters Melissa Funke 13. Two Clouded Marriages: Aristainetos’ Allusions to Aristophanes’ Clouds in Letters 2.3 and 2.12 Emilia A. Barbiero

Reviews

An exciting collection that exposes not only the enduring influence of classical Athenian comedy but also the depth and sophistication of later Greeks' response to it. Like their subject matter, these essays are vibrant, acute, learned and not infrequently surprising. Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UK These studies offer a rich panorama of the continuing vitality of Greek comedy throughout the rest of antiquity. We can see comedy, Old and New, continuing to engage, inspire - and sometimes enrage - small town audiences and imperial elites, and it's well worth joining the throng! Niall W. Slater, Samuel Candler Dobbs Professor of Latin and Greek, Emory University, USA

This volume is an important contribution to the field that does much to dispel some of the agnoia with which it begins. A volume such as this one cannot but leave one wanting more, in the most positive sense ... the contributions contained herein will no doubt play a vital role in shaping the direction to come. * Bryn Mawr Classical Review * How did Greeks and Romans of the Roman Empire read, write about, and use the Athenian comedies of the 4th and 5th centuries BCE? The papers in this collection give a range of thought-provoking answers to this question. In the introductory essay, Marshall (Univ. of British Columbia) and Hawkins (Ohio State) trace the development of Greek comedy from the 5th century BCE through the first centuries CE and discuss the most central topics in scholarship on the reception of Greek comedy in the Roman Empire. This provides an excellent framework from which to understand the remaining 12 essays, which discuss various authors (e.g., Juvenal, Aelian, Alciphron, Plutarch), genres (oratory, satire, epistles), and topics (adultery as a plot device, comic actors, and performance, among others) ... Readers thus gain an understanding of not only the importance of the topic itself but also the productive methods available for studying it. A fine contribution to the scholarship on an important but often-neglected subject. Summing Up: Recommended. Upper-division undergraduates through faculty. * CHOICE * The essays herein cover a broad range of authors and time periods and readers from many interests are likely to find something engaging in these essays. * The Classical Journal * An exciting collection that exposes not only the enduring influence of classical Athenian comedy but also the depth and sophistication of later Greeks' response to it. Like their subject matter, these essays are vibrant, acute, learned and not infrequently surprising. * Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UK * These studies offer a rich panorama of the continuing vitality of Greek comedy throughout the rest of antiquity. We can see comedy, Old and New, continuing to engage, inspire - and sometimes enrage - small town audiences and imperial elites, and it's well worth joining the throng! * Niall W. Slater, Samuel Candler Dobbs Professor of Latin and Greek, Emory University, USA * This volume, carefully edited by C. W. Marshall and Tom Hawkins, makes an important contribution to the neglected topic of the reception of ancient Greek comedy in the Roman imperial period. Essays on evolving interpretive views of the poets of Old and New Comedy, primarily Aristophanes and Menander, are supplemented with information on epigraphic evidence for performance into the third century CE and by references to dramatic illustrations. The contributors analyze a wide range of imperial authors, from the satirist Juvenal to the epistolographer Aristaenetus, to assess their knowledge of comic texts and the processes by which comedy was adapted into both prose and poetry. The essays dealing with Lucian's deep understanding of the comic mode are particularly revealing. -- Kathryn Gutzwiller, Professor of Classics, University of Cincinnati, USA, and Past President of the Society for Classical Studies

An exciting collection that exposes not only the enduring influence of classical Athenian comedy but also the depth and sophistication of later Greeks' response to it. Like their subject matter, these essays are vibrant, acute, learned and not infrequently surprising. Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UK These studies offer a rich panorama of the continuing vitality of Greek comedy throughout the rest of antiquity. We can see comedy, Old and New, continuing to engage, inspire - and sometimes enrage - small town audiences and imperial elites, and it's well worth joining the throng! Niall W. Slater, Samuel Candler Dobbs Professor of Latin and Greek, Emory University, USA This volume, carefully edited by C. W. Marshall and Tom Hawkins, makes an important contribution to the neglected topic of the reception of ancient Greek comedy in the Roman imperial period. Essays on evolving interpretive views of the poets of Old and New Comedy, primarily Aristophanes and Menander, are supplemented with information on epigraphic evidence for performance into the third century CE and by references to dramatic illustrations. The contributors analyze a wide range of imperial authors, from the satirist Juvenal to the epistolographer Aristaenetus, to assess their knowledge of comic texts and the processes by which comedy was adapted into both prose and poetry. The essays dealing with Lucian's deep understanding of the comic mode are particularly revealing. -- Kathryn Gutzwiller, Professor of Classics, University of Cincinnati, USA, and Past President of the Society for Classical Studies

An exciting collection that exposes not only the enduring influence of classical Athenian comedy but also the depth and sophistication of later Greeks' response to it. Like their subject matter, these essays are vibrant, acute, learned and not infrequently surprising. Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UK

An exciting collection that exposes not only the enduring influence of classical Athenian comedy but also the depth and sophistication of later Greeks' response to it. Like their subject matter, these essays are vibrant, acute, learned and not infrequently surprising. Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UK These studies offer a rich panorama of the continuing vitality of Greek comedy throughout the rest of antiquity. We can see comedy, Old and New, continuing to engage, inspire - and sometimes enrage - small town audiences and imperial elites, and it's well worth joining the throng! Niall W. Slater, Samuel Candler Dobbs Professor of Latin and Greek, Emory University, USA This volume, carefully edited by C. W. Marshall and Tom Hawkins, makes an important contribution to the neglected topic of the reception of ancient Greek comedy in the Roman imperial period. Essays on evolving interpretive views of the poets of Old and New Comedy, primarily Aristophanes and Menander, are supplemented with information on epigraphic evidence for performance into the third century CE and by references to dramatic illustrations. The contributors analyze a wide range of imperial authors, from the satirist Juvenal to the epistolographer Aristaenetus, to assess their knowledge of comic texts and the processes by which comedy was adapted into both prose and poetry. The essays dealing with Lucian's deep understanding of the comic mode are particularly revealing. -- Kathryn Gutzwiller, Professor of Classics, University of Cincinnati, USA, and Past President of the Society for Classical Studies How did Greeks and Romans of the Roman Empire read, write about, and use the Athenian comedies of the 4th and 5th centuries BCE? The papers in this collection give a range of thought-provoking answers to this question. In the introductory essay, Marshall (Univ. of British Columbia) and Hawkins (Ohio State) trace the development of Greek comedy from the 5th century BCE through the first centuries CE and discuss the most central topics in scholarship on the reception of Greek comedy in the Roman Empire. This provides an excellent framework from which to understand the remaining 12 essays, which discuss various authors (e.g., Juvenal, Aelian, Alciphron, Plutarch), genres (oratory, satire, epistles), and topics (adultery as a plot device, comic actors, and performance, among others) ... Readers thus gain an understanding of not only the importance of the topic itself but also the productive methods available for studying it. A fine contribution to the scholarship on an important but often-neglected subject. Summing Up: Recommended. Upper-division undergraduates through faculty. CHOICE

Author Information

Tom Hawkins is Associate Professor of Classics at Ohio State University, USA, and the author of Iambic Poetics in the Roman Empire (2014). C. W. Marshall is Professor of Greek at the University of British Columbia, Canada. His publications include The Stagecraft and Performance of Roman Comedy (2006), Classics and Comics (2011) and No Laughing Matter (Bloomsbury, 2012) and The Structure and Performance of Euripides' Helen (2014).

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