Overview

"The classic spy story collection that inspired John Le Carr�, Graham Greene, Ian Fleming, Len Deighton and other 20th Century masters of the spy thriller, & caused a national security scandal in Churchill's Britain. It did not take them long to settle things and when Ashenden rose to go he had already made careful note of his instructions. He was to start for Geneva next day. The last words that R. said to him, with a casualness that made them impressive, were: ""There's just one thing I think you ought to know before you take on this job. And don't forget it. If you do well you'll get no thanks and if you get into trouble you'll get no help. Does that suit you?""""Perfectly.""""Then I'll wish you good afternoon."" These sixteen interconnected stories chronicle the adventures of Ashenden-upstanding citizen, writer, and spy-as he moves across WWI-riddled Europe on behalf of His Majesty's Secret Service, featuring murder, intrigue, deceptions, & the soul-crushing, often-anonymous reality of modern spycraft."

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9781609441586

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Reviews

"The Ashenden stories remind us that even when the stakes are astronomically high, a spy's job can be a lowdown grind. We thrill to the idea of action-but in the end, the gathering of intelligence is not a rip-roaring yarn. It's often tragic, and very grubby. Julia Keller, NPR A collection of stories so accurate that Churchill ordered the destruction of 14 of them, while Russian intelligence immediately set up a special unit to read British spy novels for clues. New Statesman The first spy story written by someone who had been there and done that. A humane and compassionate antidote to two-fisted, square-jawed heroes battling dastardly foreigners. The head of British Intelligence is known only as ""R"", anticipating James Bond's ""M"" by a quarter of a century. The Times It is ... an endless chronicle of strange, vivid people who, in the intrigues of war, rise out of fancy for a moment of tangible form, flash strongly their brief second, and fade back into the dusk of a macabre screen. The Saturday Review of Literature, 1928"

Author Information

"William Somerset Maugham was born in Paris, on January 25th, 1874. Orphaned by the age of ten, he moved to England to live with an uncle. He received his education in England and Germany, studying medicine and graduating as a physician.Eschewing his education, Maugham instead became a full-time writer. His first novel, Liza of Lambeth, was published in 1897, but he soon established his reputation as a successful playwright. In time he wrote 32 plays, and abandoned the theater scene by 1933.He wrote nineteen novels, of which Of Human Bondage (1915), The Moon and Sixpence (1919), The Painted Veil (1925), Cakes and Ale (1930), and The Razor's Edge (1944), are considered classics of early 20th century literature.Maugham was a restless and inquisitive soul, and his travels and his sympathies with the working class often formed the basis of characters and settings. Maugham also had a tendency to insert auto-biographical aspects into his work, most infamously in the Ashenden stories, based on his time with the British Secret Service during WWI.Throughout his life, Maugham faced many personal challenges. Romantic struggles and speculation of his sexual identity were only exacerbated publicly by his popularity amongst readers. He had an extended affair with Syrie Wellcome, who gave birth to his only child, May Elizabeth ""Liza,"" in 1915, formalizing their relationship by marriage in 1917. Maugham's relationship with Frederick Gerald Haxton-his long-standing secretary/companion-& constant traveling, eventually caused a rift in the marriage, ending in divorce in 1929.He experienced great financial success with his works, many of which were adapted for radio, stage, film & TV; though the same could not be said for critical approval amongst the literary community, which was uneven at best. He died December 16th 1965, in Nice, France.In his later years, Maugham continued to beguile critics and fans alike-as author Pico Iyer writes, ""The riddle he presents us with is how a stammering, conventional-seeming Edwardian, writing in civil service prose, could somehow become the spokesman of hippies, black magicians and stockbrokers throwing it all over for Tahiti. His books are measured explorations of extravagance."""

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