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Author:   Melisa Cahnmann ,  Richard Siegesmund (at Northern Illinois University, USA.)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   3rd edition
Weight:   0.810kg
ISBN:  

9781032512709

ISBN 10:   1032512709
Pages:   422
Publication Date:   30 December 2025
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available  
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Table of Contents

1. Introduction to the Third Edition 2. How Arts-Based Research can Change Minds 3. Between Poetry and Anthropology. Searching for Languages of Home 4. Voices Lost and Found. Using Found Poetry in Qualitative Research 5. Who Will Read this Body? An A/r/tographic Statement 6. Wild Imagination, Radical Imagination, Politics, and the Practice of Arts-Based Educational Research (ABER) and Scholartistry 7. Finding the Progress in Work-in-Progress. Liz Lerman’s Critical Response Process in Arts-Based Research 8. Arts-based Research. Histories and New Directions 9. Four Guiding Principles for Arts-Based Research Practice 10. Persistent Tensions in Arts-Based Research 11. Notes from a Cuban Diary. We Believe in Our History. An Inquiry into the 1961 Literacy Campaign Using Photographic Representation 12. Happenings. Allan Kaprow’s Experimental, Inquiry-Based Art Education 13. Queering identity(ies) and fiction writing in qualitative research 14. Celebrating Monkey Business in Art Education and Research 15. Expanding Paradigms. Art as Performance and Performance as Communication in Politically Turbulent Times 16. Turning Towards. Materializing New Possibilities through Curating 17. What Is an Artist-Teacher When Teaching Second Languages? 18. A/r/tography as Practice-Based Research 19. Songwriting as Ethnographic Practice. How Stories Humanize 20. Hearing Jesusa’s Laugh 21. sista docta, REDUX 22. Ethnographic Poetry 23. The Abandoned School as an Anomalous Place of Learning. A Practice-led Approach to Doctoral Research 24. The Ecology of Personal and Professional Experience. A Poet’s View 25. For Art’s Sake, Stop Making Art 26. Understanding and Writing the World 27. A Researcher Prepares. The Art of Acting for the Qualitative Researcher 28. Misperformance Ethnography 29. Art, Agency, and Inquiry. Making Connections between New Materialism and Contemporary Pragmatism in Arts-Based Research 30. Troubling Certainty. Readers’ Theater in Music Education Research 31. The Drama and Poetry of Qualitative Method 32. Learning to Perceive. Teaching Scholartistry 33. Thinking in Comics. An Emerging Process 34. Nurse-in. Breastfeeding and A/r/tographical Research 35. Ethnographic Activist Middle Grades Fiction. Reflections on Researching and Writing Dear Mrs. Naidu 36. The End Run. Art and the Heart of the Matter 37. Putting Critical Public Pedagogy into Practice. Reorienting the Career Path of the Teacher-Artist-Scholar 38. Being Pregnant as an International PhD Student. A Poetic Autoethnography 39. Conclusion. The Tensions of Arts-Based Research in Education reconsidered

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Author Information

Melisa Cahnmann, Meigs Professor of Language and Literacy Education at the University of Georgia, has authored many books on arts-based research and pedagogy, including The Creative Ethnographer's Notebook. Recipient of a Fulbright Scholar Ambassadorship, the Meigs Distinguished Teaching Professorship, and the Beckman for Professors Who Inspire, she lives in Athens, GA, with her husband and two children. Richard Siegesmund is Professor Emeritus of Art and Design Education at Northern Illinois University. His recent books include Visual methods of inquiry: Images as research, and he has regularly presented workshops on visual methods at the annual conference of the International Congress for Qualitative Inquiry. A recipient of two Fulbright awards in visual methodology, he and his wife now live in Switzerland dividing time between Zürich and the Upper Engadin.

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