Artistic Research: Charting a Field in Expansion

Author:   Paulo de Assis ,  Lucia D'Errico
Publisher:   Rowman & Littlefield International
ISBN:  

9781786611505


Pages:   256
Publication Date:   13 November 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Artistic Research: Charting a Field in Expansion


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Full Product Details

Author:   Paulo de Assis ,  Lucia D'Errico
Publisher:   Rowman & Littlefield International
Imprint:   Rowman & Littlefield International
Dimensions:   Width: 15.20cm , Height: 1.40cm , Length: 22.20cm
Weight:   0.367kg
ISBN:  

9781786611505


ISBN 10:   1786611503
Pages:   256
Publication Date:   13 November 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction, Paulo de Assis and Lucia D’Errico 1. Theses on the Concept of Research, Jae Emerling 2. Expositionality, Michael Schwab 3. The Research Catalogue Exposition as a Digital Object: Challenges and Future, Luc Döbereiner 4. Transpositions [TP] Artistic Data Exploration: Feed-back and Amplification, Cecile Malaspina 5. SymbioticA: Interruptions in the Brain, Darren Jorgensen and David Savat 6. Artistic Research in an Expanding Field: The Case of BioArt, jan jagodzinski 7. Artistic Research and Sound Art in Public Urban Spaces, Marcel Cobussen 8. Artistic Research and Music Technology, Jonathan Impett and Juan Parra 9. Design Research in Architecture, Revisited, Murray Fraser 10. Artistic Research and Performance, Laura Cull Ó Maoilearca 11. Artistic Research as “Participant Perception”: Reflecting on the Project “Computer Signals” from an Arts-Inspired STS-Perspective, Priska Gisler 12. A Laboratory for Performance Practice: The Case of MusicExperiment21, Veerle Spronck 13. Artistic Research and Musical Performance, Mieko Kanno 14. Fantasies Finding Realities: The ConNext Network as a Case Study of the Evolution of an Artistic Research Dimension in Conservatories, Bernard Lanskey, Shu Chen Ong, and Abigail Sin 15. Philosophy AS Artistic Research. Artists-Philosophers, Arno Böhler Notes on Contributors Index

Reviews

Assis and D'Errico, in their first edited volume of a new series on artistic research, boldly announce the impossibility of defining the concept. Indeed, the book and its authors defy closure, and the essays present a stimulating, wide-ranging and insightful overview of the field, on themes spanning areas as diverse as music, bioart, art theory, and architecture. This work provides a comprehensive overview of how artistic research has established itself as an integral part of today´s art world and higher education in the arts. It consists of informed accounts of the contemporary modes of research conducted in particular art fields, and case studies highlighting the ways that research takes place in practice. Together, they show how, in the 21st century, the flag of avant-garde has moved to the hands of the artist-researchers. Their experimentations carry further the institutional critique in the arts and expand the realm of artistic practices towards formerly unreachable dimensions of reality. When does artistic research happen? Framing the question 'What is artistic research?' in these more embodied terms provides one of the guiding pointers for this collection of fifteen essays offering a methodologically and geographically diverse selection of answers. The editors have assembled an impressive array of authors, each with their own relationship to the discipline.


When does artistic research happen? Framing the question 'What is artistic research?' in these more embodied terms provides one of the guiding pointers for this collection of fifteen essays offering a methodologically and geographically diverse selection of answers. The editors have assembled an impressive array of authors, each with their own relationship to the discipline.--Darla M. Crispin, Director of the Arne Nordheim Centre for Artistic Research, Norwegian Academy of Music Assis and D'Errico, in their first edited volume of a new series on artistic research, boldly announce the impossibility of defining the concept. Indeed, the book and its authors defy closure, and the essays present a stimulating, wide-ranging and insightful overview of the field, on themes spanning areas as diverse as music, bioart, art theory, and architecture.--Helena Marinho, Assistant Professor at the Department of Communication and Art, University of Aveiro, Portugal


Assis and D'Errico, in their first edited volume of a new series on artistic research, boldly announce the impossibility of defining the concept. Indeed, the book and its authors defy closure, and the essays present a stimulating, wide-ranging and insightful overview of the field, on themes spanning areas as diverse as music, bioart, art theory, and architecture.--Helena Marinho, Assistant Professor at the Department of Communication and Art, University of Aveiro, Portugal When does artistic research happen? Framing the question 'What is artistic research?' in these more embodied terms provides one of the guiding pointers for this collection of fifteen essays offering a methodologically and geographically diverse selection of answers. The editors have assembled an impressive array of authors, each with their own relationship to the discipline.--Darla M. Crispin, Director of the Arne Nordheim Centre for Artistic Research, Norwegian Academy of Music This work provides a comprehensive overview of how artistic research has established itself as an integral part of todays art world and higher education in the arts. It consists of informed accounts of the contemporary modes of research conducted in particular art fields, and case studies highlighting the ways that research takes place in practice. Together, they show how, in the 21st century, the flag of avant-garde has moved to the hands of the artist-researchers. Their experimentations carry further the institutional critique in the arts and expand the realm of artistic practices towards formerly unreachable dimensions of reality.--Esa Kirkkopelto, Professor of Artistic Research, Malmoe Theatre Academy, Sweden


Author Information

Paulo de Assis is a Research Fellow at the Orpheus Institute in Belgium. Lucia D'Errico is a Research Fellow at the Orpheus Institute in Belgium.

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