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OverviewFull Product DetailsAuthor: Terry SmithPublisher: Duke University Press Imprint: Duke University Press Weight: 0.635kg ISBN: 9781478003052ISBN 10: 1478003057 Pages: 456 Publication Date: 06 September 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction: Anticipation and Historicity 1 Part I. Thinking Contemporary Art 1. Contemporary Art, Contemporaneity, and Art to Come 27 2. In a Nutshell: Art within Contemporary Conditions 54 3. Contemporary Architecture: Spectacle, Crisis, Aftermath 64 4. Concurrence: Art, Design, Architecture 101 5. Background Story, Global Foreground: Chinese Contemporary Art 126 6. Country, Indigeneity, Sovereignty: Aboriginal Australian Art 156 7. Placemaking, Displacement, Worlds-within-Worlds 198 8. Picturing Planetarity: Arts of Multiverse 228 Part II. Art Historiography: Conjectures and Refutations 9. The State of Art History: Contemporary Art 245 10. Theorizing the Contemporary and the Postcontemporary 279 11. Writing Histories of Contemporary Art: The Situation Now 311 Conclusion: Concurrence in Contemporary World Picturing 353 Notes 365 Index 417ReviewsSmith, who sees linearity as an 'old-fashioned' way of thinking about time, kicks up the silt of art history to present us with a historiography of contemporaneity. . . . To that end, he takes us through 'contemporary' buzzwords and ways of thinking about issues like globalisation, the Anthropocene, decolonisation, indigenisation, revived fundamentalisms and ecoactivism, to ask how we might harmonise our differences in a way that 'ensures our mutual survival' on this planet. -- Fi Churchman * Art Review * In bringing this collection of essays together, Smith gives readers the opportunity to chart his progress as he repeatedly surveys the contemporary terrain. These field reports from a highly engaged observer provide compelling reading for anyone concerned with art practices of the past three decades. -- Martha Buskirk * Critical Inquiry * At once retrospective and anticipatory, Smith's description of his intent with Art to Come suggests that the book is as much for himself and 'those to come' as it is for art historians and other observers of contemporary art working today (24). For Smith, contemporary art history is historiography. By writing contemporary art history as personal historiography, Smith models for his readers-present and future-an ethics as much as a methodology for the study of the visual culture today. -- Elizabeth Mansfield * Journal of Art Historiography * Smith, who sees linearity as an 'old-fashioned' way of thinking about time, kicks up the silt of art history to present us with a historiography of contemporaneity. . . . To that end, he takes us through 'contemporary' buzzwords and ways of thinking about issues like globalisation, the Anthropocene, decolonisation, indigenisation, revived fundamentalisms and ecoactivism, to ask how we might harmonise our differences in a way that 'ensures our mutual survival' on this planet. -- Fi Churchman * Art Review * Author InformationTerry Smith is Andrew W. Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh and Professor in the Division of Philosophy, Art, and Critical Thought at the European Graduate School. He is the author of several books, including One and Five Ideas: On Conceptual Art and Conceptualism, also published by Duke University Press, and What Is Contemporary Art? Tab Content 6Author Website:Countries AvailableAll regions |
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