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OverviewFull Product DetailsAuthor: Andrew BenjaminPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.30cm , Length: 21.60cm Weight: 0.294kg ISBN: 9780415066273ISBN 10: 0415066271 Pages: 228 Publication Date: 22 August 1991 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsINTRODUCTION: INAUGURATING REPETITION 1 INTERPRETING REFLECTIONS: PAINTING MIRRORS 2 SPACING AND DISTANCING 3 BETRAYING FACES: LUCIAN FREUD’S SELF[1]PORTRAITS 4 PRESENT REMEMBRANCE: ANSELM KIEFER’S ICONOCLASTIC CONTROVERSY 5 KITAJ AND THE QUESTION OF JEWISH IDENTITY 6 MALEVICH AND THE AVANT-GARDE 7 EISENMAN AND THE HOUSING OF TRADITION 8 PLURALISM, THE COSMOPOLITAN AND THE AVANT-GARDE 9 THE DECLINE OF ART: BENJAMIN’S AURA 10 TRADITION AND EXPERIENCE: WALTER BENJAMIN’S ‘ON SOME MOTIFS IN BAUDELAIRE’ 11 DESCARTES’ FABLE: THE DISCOURS DE LA METHODE 12 THE REDEMPTION OF VALUE: LAPORTE, WRITING AS ABKURZUNGReviewsAuthor InformationAndrew Benjamin lectures in philosophy at the University of Warwick. He is the author of Translation and the Nature of Philosophy (1989) and What is Deconstruction? (1988, with Christopher Norris), and has edited several collections including Post-structuralist Classics (1988) and Problems of Modernity: Adorno and Benjamin (1989), both in the Warwick Studies in Philosophy and Literature series published by Routledge. Tab Content 6Author Website:Countries AvailableAll regions |