Overview

Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.

Full Product Details

Author:   William Desmond
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9780887061516

ISBN 10:   0887061516
Pages:   242
Publication Date:   30 June 1986
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Preface Introduction Chapter One. Art, Imitation and Creation Imitation: Art and the Metaphysics of Image and Original, Creation: Art and Sensuous Self-Knowledge, Art and Philosophy: Openness and Subordination, Chapter Two. Art, Philosophy and Concreteness The Tension of Image and Concept, The Question of Concreteness, Concreteness and the Art Work, Concreteness and the Philosophical Concept, Art and Philosophy as Complementary Modes of Concrete Articulation, Chapter Three. Art, Religion and Absoluteness Art, Religion and Absolute Spirit, Art as ""Aesthetic,"" Art as ""Religious"": Symbolical, Classical and Romantic Art, Art as ""Religious"": Creativity and Geist , The Aesthetic and the Religious: On Right- and Left-Hegelian Readings, Chapter Four: Art, History and the Question of an End Art and the Question of History, Art and Time: Dialectic in Imaginative Form, Art, History and the Embodiment of an ""Open"" End, Art's Wholeness and the Problem of Closure, Chapter Five. Dialectic, Deconstruction and Art's Wholeness Deconstruction and the Absence of the Absolute, Literary Theory and the Question of Wholeness, Art and Post-Hegelianism: The Nietzschean-Heideggerian Heritage, Identity, Difference and Deconstruction, Identity, Difference and Dialectic, Dialectic, Art and Wholeness, Chapter Six. Beauty and the Aesthetic Dilemma of Modernity Beauty and the Absolute, The Ambiguity of Beauty for Hegel and His Era: Enthusiasm and Scepticism, Beauty in Eclipse: Subjectivity in Excess, Ancient Beauty and the Modern Expressive Subject: Hegel in Relation to Platonic and Kantian Aesthetics, Beauty and the Overcoming of Metaphysical Dualisms: Aquinas and Hegel, Beauty as Concrete Universal and as Transcendental Concept: The Aesthetic Dilemma of Modernity Revisited, Aesthetic Theodicy and the Transfiguration of the Ugly, The Future of Beauty, Notes Bibliography Index"

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William Desmond is Associate Professor of Philosophy at Loyola College, Baltimore, Maryland.

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