Art and Its Significance: An Anthology of Aesthetic Theory, Third Edition

Author:   Stephen David Ross
Publisher:   State University of New York Press
Edition:   3rd Revised edition
ISBN:  

9780791418529


Pages:   706
Publication Date:   27 January 1994
Format:   Paperback
Availability:   In stock   Availability explained
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Art and Its Significance: An Anthology of Aesthetic Theory, Third Edition


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Overview

This anthology has been significantly expanded for this edition to include a wider range of contemporary issues. The most important addition is a new section on multicultural theory, including important and controversial selections ranging from discussions of art in other cultures to discussions of the appropriation of nonWestern art in Western cultures. The material from Kant's Critique of Judgment has been expanded to include his writing on aesthetical ideas and the sublime. The selections from Derrida have been updated and considerably expanded for this edition, primarily from The Truth in Painting. One of Derrida's most interesting provocations has also been added, his letter to Peter Eisenman on architecture. In addition, the section on feminist theory now includes a chapter from Irigaray's Speculum of the Other Woman. The anthology includes the most important writings on the theory of art in the Western tradition, including selections from Plato, Aristotle, Hume, Kant, Hegel, and Nietzsche; the most important philosophical writings of the last hundred years on the theory of art, including selections from Collingwood, Langer, Goodman, Heidegger, and Merleau-Ponty; contemporary Continental writings on art and interpretation, including selections from Gadamer, Ricoeur, Derrida, Lyotard, and Foucault; also writings on the psychology of art by Freud and Jung, from the Frankfurt School by Benjamin, Adorno, and Marcuse, in feminist theory, multiculturalism, and postmodernism. The anthology also includes twentieth-century writings by artists including discussions of futurism, suprematism, and conceptual art. Stephen David Ross is Professor of Philosophy and Comparative Literature, State University of New York at Binghamton.

Full Product Details

Author:   Stephen David Ross
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Edition:   3rd Revised edition
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.971kg
ISBN:  

9780791418529


ISBN 10:   0791418529
Pages:   706
Publication Date:   27 January 1994
Audience:   College/higher education ,  General/trade ,  Undergraduate ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

"Preface Acknowledgments Introduction I. Historical Background Plato Republic II, III, X Ion (complete) Symposium Aristotle Poetics Nicomachean Ethics David Hume Of the Standard of Taste (complete) Immanuel Kant Critique of Judgment G. W. F. Hegel Philosophy of Fine Art (Introduction) Friedrich Nietzsche The Birth of Tragedy Attempt at a Self-Criticism (complete) Leo Tolstoy What is Art? II. Recent Systematic Theories Clive Bell Art R. G. Collingwood Principles of Art John Dewey Art as Experience Susanne Langer Feeling and Form Nelson Goodman When Is Art? (complete) Languages of Art Martin Heidegger The Origin of the Work of Art Maurice Merleau-Ponty Eye and Mind Stephen David Ross A Theory of Art: Inexhaustibility by Contrast III. Interpretation and Criticism Stephen Pepper The Work of Art E. D. Hirsch, Jr. Validity in Interpretation Hans-Georg Gadamer Truth and Method Paul Ricoeur The Problem of Double Meaning as Hermeneutic Problem Solving and as Semantic Problem (complete) Jacques Derrida The Truth in Painting (Passe-Partout, Parergon, Restitutions) Letter to Peter Eisenman (complete) Michael Foucault The Order of Things (Preface, Las Meninas) IV. Discussions Edward Bullough 'Psychical Distance' as a Factor in Art and as an Aesthetic Principle Arthur Danto The Artworld (complete) Mikhail Mikhailovich Bakhtin Discourse in the Novel Psychology and Art: Freud, Jung, Vygotsky Sigmund Freud The Relation of the Poet to Day-Dreaming (complete) Carl Gustav Jung Psychology and Literature (complete) Lev Vygotsky The Psychology of Art Marxism and the Frankfurt School Walter Benjamin The Work of Art in the Age of its Technical Reproducibility Theodor W. Adorno On the Fetish-Character in Music and the Regression of Listening Herbert Marcuse The Aesthetic Dimension Postmodernism Jean-Francois Lyotard What Is Postmodernism? Feminist Theory Heide Gottner-Abendroth Nine Principles of a Matriarchal Aesthetic (complete) Luce Irigaray Any Theory of the ""Subject"" Has Always Been Appropriated by the ""Masculine"" (complete) Craig Owens The Discourse of Others: Feminists and Postmodernism Multicultural Theory V. Y. Mudimbe The Invention of Africa Trinh T. Minh-ha Woman, Native, Other James Clifford On Collecting Art and Culture Tony Fry and Anne-Marie Willis Aboriginal Art: Symptom or Success? Artist's Declarations F. T. Marinetti Futurist Painting: Technical Manifesto (complete) Umberto Boccioni Technical Manifesto of Futurist Sculpture (complete) Kasimir Malevich Suprematism (complete) Wassily Kandinsky Concrete Art (complete) Piet Mondrian Plastic Art and Pure Plastic Art (complete) Sol LeWitt Sentences on Conceptual Art (complete)"

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