Overview

Lysistrata is the most notorious of Aristophanes’ comedies. First staged in 411 BCE, its action famously revolves around a sex strike launched by the women of Greece in an attempt to force their husbands to end the war. With its risqué humour, vibrant battle of the sexes, and themes of war and peace, Lysistrata remains as daring and thought-provoking today as it would have been for its original audience in Classical Athens. Aristophanes: Lysistrata is a lively and engaging introduction to this play aimed at students and scholars of classical drama alike. It sets Lysistrata in its social and historical context, looking at key themes such as politics, religion and its provocative portrayal of women, as well as the play’s language, humour and personalities, including the formidable and trailblazing Lysistrata herself. Lysistrata has often been translated, adapted and performed in the modern era and this book also traces the ways in which it has been re-imagined and re-presented to new audiences. As this reception history reveals, Lysistrata’s appeal in the modern world lies not only in its racy subject matter, but also in its potential to be recast as a feminist, pacifist or otherwise subversive play that openly challenges the political and social status quo.

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9781350090309

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Robson succeeds throughout in combining infectious enthusiasm and dispassionate discussion with a lightness of touch and lucidity that should appeal to students, lay readers and scholars alike. A quiet relish comes across not only in his lively discussion of sexual language, and of the ins and outs of the play’s censorship history, but also in the warmth and humour of his translations of the Greek. * Times Literary Supplement *

Robson succeeds throughout in combining infectious enthusiasm and dispassionate discussion with a lightness of touch and lucidity that should appeal to students, lay readers and scholars alike. A quiet relish comes across not only in his lively discussion of sexual language, and of the ins and outs of the play's censorship history, but also in the warmth and humour of his translations of the Greek. * Times Literary Supplement *

Author Information

James Robson is Professor of Classical Studies at the Open University, UK. His publications include Humour, Obscenity and Aristophanes (2006) and Aristophanes: An Introduction (Bloomsbury Academic, 2009; shortlisted for the Anglo-Hellenic League's Runciman Award) and Sex and Sexuality in Classical Athens (2013).

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