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9781138567801

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The alphabet of wood and stone has been arranged over the ages to shape and express the values and aspirations embodied in civic life. Architecture, Liberty and Civic Order is at once a commanding chapter in architectural history and a significant treatise on philosophy of art. Professor Westfall's narrative guides the reader to the various purposes served by that one form of art that is irreducibly civic. The treatment is authoritative and accessible; rich and deeply suggestive. It is also a much needed challenge to conventional wisdom on the alleged progressive evolution of genres. - Daniel Robinson, Oxford University, UK and Georgetown University, USA Westfall presents this immensely impressive and intellectually innovative study of the great names in the history of architecture and architectural theory from antiquity to the present day as a book about the most important thing we can make, the city. He sees throughout the significance of religion and politics, noting how Vitruvius prided himself for being the client of his imperial patron, while Alberti presented the architect as a citizen who renders his service as a participant in the protection of his city's liberty and ... the pursuit of the good. He observes of the International Style that Buildings based on the machine analogy remain mere buildings and cannot become architecture. There are challenging thoughts on every page of this deeply researched book on the classical language of architecture, timeless but ever new. - David Watkin, University of Cambridge, UK and Honorary Fellow of the Royal Institute of British Architects

The alphabet of wood and stone has been arranged over the ages to shape and express the values and aspirations embodied in civic life. Architecture, Liberty and Civic Order is at once a commanding chapter in architectural history and a significant treatise on philosophy of art. Professor Westfall's narrative guides the reader to the various purposes served by that one form of art that is irreducibly civic. The treatment is authoritative and accessible; rich and deeply suggestive. It is also a much needed challenge to conventional wisdom on the alleged progressive evolution of genres. - Daniel Robinson, Oxford University, UK and Georgetown University, USA Westfall presents this immensely impressive and intellectually innovative study of the great names in the history of architecture and architectural theory from antiquity to the present day as a book about the most important thing we can make, the city. He sees throughout the significance of religion and politics, noting how Vitruvius prided himself for being the client of his imperial patron, while Alberti presented the architect as a citizen who renders his service as a participant in the protection of his city's liberty and ... the pursuit of the good. He observes of the International Style that Buildings based on the machine analogy remain mere buildings and cannot become architecture. There are challenging thoughts on every page of this deeply researched book on the classical language of architecture, timeless but ever new. - David Watkin, University of Cambridge, UK and Honorary Fellow of the Royal Institute of British Architects

The alphabet of wood and stone has been arranged over the ages to shape and express the values and aspirations embodied in civic life. Architecture, Liberty and Civic Order is at once a commanding chapter in architectural history and a significant treatise on philosophy of art. Professor Westfall's narrative guides the reader to the various purposes served by that one form of art that is irreducibly civic. The treatment is authoritative and accessible; rich and deeply suggestive. It is also a much needed challenge to conventional wisdom on the alleged progressive evolution of genres. - Daniel Robinson, Oxford University, UK and Georgetown University, USA Westfall presents this immensely impressive and intellectually innovative study of the great names in the history of architecture and architectural theory from antiquity to the present day as a book about the most important thing we can make, the city. He sees throughout the significance of religion and politics, noting how Vitruvius prided himself for being the client of his imperial patron, while Alberti presented the architect as a citizen who renders his service as a participant in the protection of his city's liberty and ... the pursuit of the good. He observes of the International Style that Buildings based on the machine analogy remain mere buildings and cannot become architecture. There are challenging thoughts on every page of this deeply researched book on the classical language of architecture, timeless but ever new. - David Watkin, University of Cambridge, UK and Honorary Fellow of the Royal Institute of British Architects

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Carroll William Westfall’s PhD in the history of architecture was conferred by Columbia University. Since 1982 he has taught students in history and architecture at the Universities of Illinois in Chicago, Virginia, and most recently Notre Dame. His special interest has always been the history of the city with particular attention to the reciprocity between the political life and the urban and architectural elements that serve the needs of citizens. In classes and in two previous books and numerous articles he has explored the role of the classical tradition in architecture in serving and building the good and beautiful city. His approach uses theories of architecture and the practices of architects and those who hire them to interpret how their buildings serve and express the interests of those who possess the authority that allows them to build. The answer lies within the center of the classical tradition whose history is a constant revision to the best possible use of the universal and enduring qualities of the good and the beautiful in governing and building the good and beautiful city. In the center of this narrative is the role of the imitating the order, harmony, and proportionality of nature that uses tradition as a guide and innovation as a vivifying tonic, a topic neglected in the current narrative of the history of architecture.

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