Applied Theatre: Voice: Performance and Social Justice

Author:   Dr Sarah Weston (Queen's University Belfast, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350371392


Pages:   224
Publication Date:   06 February 2025
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Applied Theatre: Voice: Performance and Social Justice


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Full Product Details

Author:   Dr Sarah Weston (Queen's University Belfast, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 14.60cm , Height: 1.80cm , Length: 21.80cm
Weight:   0.408kg
ISBN:  

9781350371392


ISBN 10:   1350371394
Pages:   224
Publication Date:   06 February 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Illustrations Notes on Contributors Acknowledgements Part One 1. Introduction (Sarah Weston, University of Manchester, UK) 2. Voice is Ordinary (Sarah Weston, University of Manchester, UK) 3. Vocal Justice (Sarah Weston, University of Manchester, UK) Part Two 4. Exploring the Notion of Voice and the Ethics of Voicing in Applied Performance: Reflections. (Taiwo Afolabi and Shannon Holmes, University of Regina, Canada) 5. 'People aren’t going to show up to the revolution if it isn't fun' Theatre of the Oppressed and Disrupting the Tone of Voice within Deliberative Democracy. (Malaika Cunningham, Arts Admin, Katy Rubin and Sarah Woods, Freelance Practitioners, UK) 6. Resonant Tails: Creating Inter-sensory Theatre with Children through Non-normative Voicing, or Can the Voice Without Words be Enabled to Exert Political Agency? (Yvon Bonenfant, University College Cork, Ireland) 7. The Politics of Voice and Visibility in the Performing Justice Project (Megan Alrutz, University of Texas, USA) 8. 'It’s about taking what we understand musically as a kind of metaphor for other moments in our lives'. Discussing Singing as Life Practice – In Conversation with Emma Bonnici (Sarah Weston, University of Manchester and Emma Bonnici, Freelance Practitioner, UK) 9. Theatre of the Oppressed as a Transnational Voice: Building Bridges Beyond Languages (Clara de Andrade and Gustavo Guenzburger, University of the State of Rio de Janeiro, Brazil) Index

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Sarah Weston is Lecturer in Applied Theatre at Queen's University Belfast, UK.

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