Antonioni: Centenary Essays

Author:   Laura Rascaroli ,  John David Rhodes
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781844573851


Pages:   344
Publication Date:   29 November 2011
Format:   Hardback
Availability:   Awaiting stock   Availability explained


Our Price $250.80 Quantity:  
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Antonioni: Centenary Essays


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Overview

This collection of new essays by leading film scholarsaddresses Michelangelo Antonionias apre-eminent figure in European art cinema, explores his continuing influence and legacy, and engages with his ability to both interpret and shape ideas of modernity and modern cinema.

Full Product Details

Author:   Laura Rascaroli ,  John David Rhodes
Publisher:   Bloomsbury Publishing PLC
Imprint:   BFI Publishing
Dimensions:   Width: 17.20cm , Height: 2.80cm , Length: 23.40cm
Weight:   0.765kg
ISBN:  

9781844573851


ISBN 10:   1844573850
Pages:   344
Publication Date:   29 November 2011
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Awaiting stock   Availability explained

Table of Contents

Interstitial, Pretentious, Alienated, Dead: Antonioni at 100/Laura Rascaroli and John David Rhodes.- Modernities.- Identification of a City: Antonioni and Rome, 1940-1962/Jacopo Benci.- Modernity, Put into Form: Blow-Up, Objectuality, 1960s Antonioni/Laura Rascaroli.- Revisiting Zabriskie Point/Angelo Restivo.- Reporter, Soldier, Detective, Spy: Watching The Passenger/Robert S. C. Gordon.- Aesthetics.- 'Making Love on the Shores of the River Po': Antonioni's Documentaries/Leonardo Quaresima.- On L'avventura and the picturesque/Rosalind Galt.- Quasi: Antonioni and Participation in Art/Alexander García Düttmann.- Face, Body, Voice, Movement: Antonioni and Actors/David Forgacs.- Medium Specifics.- Blow-up and the Plurality of Photography/Matilde Nardelli.- Ten Footnotes To A Mystery/Francesco Casetti.- Identification of a Medium: Identificazione di una donna and the Rise of Commercial Television in Italy/Michael Siegel.- Ecologies.- Antonioni's Waste Management/Karl Schoonover.- Antonioni's Cinematic Poetics of Climate Change/Karen Pinkus.- Antonioni and the Development of Style/John David Rhodes.- Index.

Reviews

i ?The contributors to Antonioni: Centenary Essays approach the director's works with fresh, new inspiration and contemporary critical methodologies that underscore Antonioni's continued relevance to the cinema of our day, adding numerous original insights on such topics as Antonioni's documentaries, his relationship to Rome, and his last films, while providing fresh perspectives on the classics of the Antonioni canon, such as L'avventura, Red Desert, and Blow-Up. This is a book that belongs in the library of every spectator who loves the art of film-making. Peter Bondanella, Indiana University i ?Antonioni: Centenary Essays is an exemplary model for writing on cinema and modernity, a timely occasion for rethinking media reception in the twenty-first century through revaluation of Antonioni's films. The compelling essays, written by leading film scholars, challenge time-worn assessments of Antonioni's cinema, and situate their discussions in relation to aesthetics, film history, the character and specificity of the connections of his work to other media, and innovatively and significantly, to ecology (space, climate, and waste) as illuminative of his visual style. Marcia Landy, University of Pittsburgh


Author Information

LAURA RASCAROLI?is Senior Lecturer in Film Studies at University College Cork. She is the author of The Personal Camera: Subjective Cinema and the Essay Film (2009) and the co-author (with Ewa Mazierska) of From Moscow to Madrid: European Cities, Postmodern Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), and Crossing New Europe: Postmodern Travel and the European Road Movie (2006). She is also the co-editor (with Patrick O'Donovan) of The Cause of Cosmopolitanism: Dispositions, Models, Transformations (2010). JOHN DAVID RHODES is ?is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini's Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture.

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