Animal Acoustic Communication: Sound Analysis and Research Methods

Author:   Steven L. Hopp ,  Michael J. Owren ,  Christopher S. Evans
Publisher:   Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
Edition:   Softcover reprint of the original 1st ed. 1998
ISBN:  

9783642762222


Pages:   421
Publication Date:   14 December 2011
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Animal Acoustic Communication: Sound Analysis and Research Methods


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Author:   Steven L. Hopp ,  Michael J. Owren ,  Christopher S. Evans
Publisher:   Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
Imprint:   Springer-Verlag Berlin and Heidelberg GmbH & Co. K
Edition:   Softcover reprint of the original 1st ed. 1998
Dimensions:   Width: 15.50cm , Height: 2.30cm , Length: 23.50cm
Weight:   0.688kg
ISBN:  

9783642762222


ISBN 10:   3642762220
Pages:   421
Publication Date:   14 December 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Chapter 1 Acoustic Signals of Animals: Recording, Field Measurements, Analysis and Description H. C. Gerhardt 1 Introduction 2 Field Recordings and Measurements 2.1 Equipment 2.2 On-Site Measurements 2.3 Signal Amplitude, Directionality, and Background Noise Levels 2.4 Patterns of Sound Propagation in Natural Habitats 3 Laboratory Analysis of Animal Sounds 3.1 Terminology 3.2 Temporal and Spectral Analysis: Some General Principles 4 Examples of Descriptions and Analyses 4.1 Temporal Properties of Pulsatile Calls 4.2 Amplitude-Time Envelopes 4.3 Relationships between Fine-Scale Temporal and Spectral Properties 4.4 Spectrally Complex Calls 5 Summary References.- Chapter 2 Digital Signal Acquisition and Representation M. Clements 1 Introduction 2 Digital Signal Processing 2.1 Major Applications of DSP 2.2 Definition of Digital Systems 2.3 Difference Equations 3 Digital Filter Frequency Response 3.1 Unit-Sample Response Characterization 3.2 Frequency-Domain Interpretation of Systems 3.3 Frequency-Domain Interpretation of Signals 4 Conversion Between Analog and Digital Data Forms 4.1 The Sampling Theorem 4.2 Signal Recovery by Filtering 4.3 Fourier Transform Relations 4.4 Effects of Sampling Rates 4.5 Reconstruction 5 Fundamental Digital Processing Techniques 5.1 Power Spectra 5.2 Time and Frequency Resolution 5.3 Windows 5.4 Spectral Smoothing 5.5 The Discrete Fourier Transform 5.6 Correlation 5.7 Autocorrelation 5.8 Cross-correlation 5.9 Spectrograms 6 An Intoduction to Some Advanced Topics 6.1 Digital Filtering 6.2 Linear Prediction 6.3 Homomorphic Analysis 7 Summary.- Chapter 3 Digital Signal Analysis, Editing, and Synthesis K. Beeman 1 Introduction 2 Temporal and Spectral Measurements 3 Time-Varying Amplitude Analysis 3.1 Amplitude Envelopes 3.2 Gate Functions 4 Spectral Analysis 4.1 Power Spectrum Features 4.2 Measuring Similarity Among Power Spectra 4.3 Other Spectral Analysis Techniques 5 Spectrographic Analysis 5.1 Spectrogram Generation 5.2 Spectrogram Display 5.3 Spectrogram Parameter Measurements 6 Classification of Naturally Occurring Animal Sounds 6.1 Properties of Ideal Signals 6.1.1 Periodicity 6.1.2 Amplitude Modulation 6.1.3 Frequency Modulation 6.1.4 Biologically Relevant Sound Types 7 Time-varying Frequency Analysis 7.1 Deriving Spectral Contours 7.2 Sound-similarity Comparison 8 Digital Sound Synthesis 8.1 Editing 8.2 Arithmetic Manipulation and Generation of Sound 8.3 Synthesis Models 8.3.1 Tonal Model 8.4 Sources of and A Functions 8.4.1 Mathematically Based Functions 8.4.2 Functions Derived from Natural Sounds 9 Sound Manipulation and Generation Techniques 9.1 Duration Scaling 9.2 Amplitude-Envelope Manipulations 9.3 Spectral Manipulations 9.3.1 Frequency Shifting and Scaling 9.3.2 Frequency Modulation 9.4 Synthesis of Biological Sound Types 9.4.1 Tonal and Polytonal Signals 9.4.2 Pulse-Repetition Signals 9.4.3 Harmonic Signals 9.4.4 Noisy Signals 9.5 Miscellaneous Synthesis Topics 9.5.1 Template Sounds 9.5.2 Noise Removal 10 Summary References.- Chapter 4 Application of Filters in Bioacoustics P. K. Stoddard 1 Introduction 2 General Uses of Filters and Some Cautions 3 Anatomy and Performance of a Filter 4 Properties of Various Analog Filters 5 Antialiasing and Antiimaging Filters 5.1 A/D Conversion Requires an Analog Lowpass Filter 5.2 Choosing an Antialiasing Filter 5.3 D/A Conversion also Requires an Analog Lowpass Filter 5.4 Analog Filters: Passive Versus Active Components 6 Analog Versus Digital Filters

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