Overview

Inspired bya private archive and including contemporary work by artists who acknowledge the continued relevance of Angela Davis's experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic and political policy. Beginning with the arrest, trial, and acquittal of Davis, 1970-72, and continuing through her world tour to thank those who joined in demanding her release and her influential career as a public intellectual, the book examines fifty years of history in light of the current political moment. Profusely illustrated with materials found in the archive (press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis's political writings), the book includes an interview with Angela Davis and Lisbet Tellefsen, the archivist who collected these materials, as well as essays that ouch on visibililty and invisibility, history, memory, and the iconography of black radical feminism.

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9783777435749

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Reviews

It will be of great interest to readers involved with current activities on behalf of racial justice and to anyone interested in the political possibilities of visual imagery. -- Artblog Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis's political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. -- LA Weekly

Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis's political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. * LA Weekly * This wonderfully illustrated scholarly catalogue is a treasure trove. . . . Seize the Time successfully complicates and challenges our understanding of Angela Y. Davis and the visual culture (past and present) inspired by her ongoing fight for social justice. -- Rebecca VanDiver * Woman's Art Journal * It will be of great interest to readers involved with current activities on behalf of racial justice and to anyone interested in the political possibilities of visual imagery. * Artblog * The book is both a piece of history and a piece of art. -- Pendarvis Harshaw * KQED *

The book is both a piece of history and a piece of art. --Pendarvis Harshaw KQED It will be of great interest to readers involved with current activities on behalf of racial justice and to anyone interested in the political possibilities of visual imagery. -- Artblog Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis's political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. -- LA Weekly

Author Information

Gerry Beegan is chair of the art and design department at Rutgers University. Donna Gustafson is curator of American art and Mellon Director for Academic Programs at the Zimmerli Art Museum at Rutgers University and a member of the graduate faculty in Art History.

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