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Full Product Details

Author:   Sue Field (Senior Lecturer in Performance Design, UNSW Art and Design, Australia)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
ISBN:  

9781350285569

ISBN 10:   1350285560
Pages:   224
Publication Date:   27 June 2024
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   To order  

Table of Contents

List of Figures Introduction Chapter One: Drawn Beneath the Flesh Chapter Two: Anatomy of the Theatre Chapter Three: The Danse Macabre Chapter Four: The Vanitas: Fragments of Death Chapter Five: The Dissected Stage Chapter Six: Hidden in the Shadows Introduction Drawn Beneath the Flesh Scenographics Theatricality Worlding Historical Overview Andreas Vesalius (1514–1564) The Anatomist Govard Bidloo (1649-1713) and the Artist Gérard de Lairesse (1640-1711) Frank Netter (1906–1991) Santiago Ramón y Cajal (1852 - 1934) Twentieth Century Female Anatomical Illustrators Epilogue Anatomy of the Theatre Anthropomorphic Representation The Renaissance “Man” as the Center of the Universe Theatrum Mundi, or Theatre of the World Inigo Jones (1573-1652) The Cockpit-in-Court The Royal Court Masques at the Cockpit-in-Court Barber Surgeon's Anatomy Theatre The Anatomical Theatre as a Site of Spectacle The Fleshly Gaze Epilogue The Danse Macabre Osteological Evidence in the Danse Macabre Performance and the Danse Macabre The Danse at the Charner et Cimetière des Innocents, Paris, 1424-1425 Medieval Spectatorship and the Danse Macabre Medieval Spectatorship and Presence Guyot Marchant Hans Holbein the Younger (1497? – 1543) Christiaan Huygens (1629-1695) Walt Disney’s The Skeleton Dance (1929) William Kentridge, More Sweetly Play the Dance, 2015 Peter Greenaway (1942-) Representing the Unrepresentable Epilogue The Vanitas: Fragments of Death Vanitas Maria van Oosterwijck (1630-1693) Sue Field Anatomical Drawing Left on Hold (2023) Kiki Smith (1954-) Possession Is Nine-Tenths of the Law (1985) Drift (2022) The Mind’s Eye Liminal Space World Seen and the World Unseen Kiki Smith - How I Know I’m Here (1985) AI Can Do Many Things, but Can It Replicate These Drawings? Epilogue The Dissected Stage The Anatomical Drawing and Scenographic Worlding Theory Tristan Fou (Mad Tristan), 1944 Paranoiac - Critical Method Artistic Motifs and Symbolism Legacy M Is for Man, Music, Mozart, 1991 Teatro Anatomico Padua, 1595 Animated Anatomical Drawings in Vesalius Song Saint Orlan (1947-) The Staging of “Female Beauty” as a Spectacle of Violence and Trauma Langer’s Lines Anatomy Theatre (2017) Dann Barber The Medieval Morality Play Medieval Theatricality and Spectatorship Anatomical Drawing as a Meta-Theatrical Trope Epilogue Hidden in the Shadows The X-Ray Drawings of Australia’s First Nation Peoples X-Ray Bark Art X-Ray Rock Art Dorothy Crowfoot Hodgkin (1910 -1994) Oppenheim (1913 - 1985) Elizabeth Diller and Ricardo Scofidio William Kentridge (1955 -) Angela Palmer (1957-) Brain of the Artist (2012) 2020: The Sphere That Changed the World Epilogue All That Remains Visible Human Project (VHP) The Spectacular Anatomical Body Holoman; Digital Cadaver Gunther von Hagens (1945-) The Spectacle of the Screen Epilogue References Notes

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Author Information

Sue Field is a researcher at UNSW Art and Design, Australia, and a lecturer in the School of Architecture at the University of Technology Sydney, Australia. She has written scholarly papers for journals, national and international conferences, published academic book chapters, and is the author of Scenographic Design Drawing (Bloomsbury, 2021).

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