Overview

The biographies here, intriguing in themselves, have a powerful cumulative effect that increases our awareness of the influence of the anarchist movement during its heyday in the nineteenth and early twentieth centuries-and of the appeal that it had for members of protest movements during the 1960s and 1970s.

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9780691006093

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It is ... in Mr. Avrich's composite picture of anarchism in America that the contradictions, the strength and weaknesses of anarchism as an ideology, as well as the extraordinary dedication and strength of character of its exponents, can be seen most clearly. --James Joll, New York Times Book Review Believers in anarchism, along with those willing to probe beyond the rote dismissals of the creed as a violent tumult, have a rare intellectual feast in Avrich's work. --Colman McCarthy, Washington Post Book World So powerfully does [Avrich] make his case that sometimes in Anarchist Portraits the impossible dream seems not quite so impossible. --Gary Kern, Washington Times Avrich is the foremost American scholar of anarchism in this generation. --Robert Zaller, Philadelphia Inquirer

Everyman's book of anarchists - a collection of thumbnail biographies, with enough discussion of writings and philosophies to make clear the wide spectrum and unabashed idealism of the anarchist movement. Avrich (Queens College/History; The Haymarket Tragedy; The Russian Anarchists; Kronstadt 1921) is clearly moved by his subject; reading his sketches of these saints without god, many others will find it hard not to be moved as well. With the stories of the major Russian anarchists (Bakunin, Kropotkin, and others), key figures in the history of American radicalism (such as Mollie Steiner, Alexander Berkman, and Sacco and Vanzetti) on through lesser-known Mexican, French, and Australian anarchists, Avrich creates, piece by piece, a real feeling for a time when the West was full of revolutionary ferment, and a decentralized, communal, anarchist society was something that might really happen. Though scholarly and dense with information, his prose is always accessible, and the book is filled with well-chosen, telling, even charming anecdotes. (While he goes a long way toward correcting the misbegotten, but still popular, image of the anarchist as a bomb-throwing madman, and he doesn't leave out the warts - Bakunin's anti-Semitism; Nachaev, the cold-hearted murderer - there's something quaint about these portraits, and he risks making them seem no longer relevant, like sepia-tinted photographs.) A fine introduction to anarchy for anyone with a little historical background; for the confirmed radical, a good source of information and inspiration. (Kirkus Reviews)

It is ... in Mr. Avrich's composite picture of anarchism in America that the contradictions, the strength and weaknesses of anarchism as an ideology, as well as the extraordinary dedication and strength of character of its exponents, can be seen most clearly. -- James Joll New York Times Book Review Believers in anarchism, along with those willing to probe beyond the rote dismissals of the creed as a violent tumult, have a rare intellectual feast in Avrich's work. -- Colman McCarthy Washington Post Book World So powerfully does [Avrich] make his case that sometimes in Anarchist Portraits the impossible dream seems not quite so impossible. -- Gary Kern Washington Times Avrich is the foremost American scholar of anarchism in this generation. -- Robert Zaller Philadelphia Inquirer

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