Overview

This collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured.  The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services.  The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of television since 1987, the year Star Trek: Next Generation began airing.  

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9783031105272

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Joel Hawkes is a Sessional Lecturer in English at the University of Victoria, Canada. Hawkes’ research is particularly interested in the practices and performances that create the physical and literary spaces we inhabit, and the ritual nature of these. Though primarily a modernist, his work is cross-period and interdisciplinary.  His modernist publications engage with spatial theory, and at present focus on the relatively unknown British modernist Mary Butts.  He has just finished editing Mary Butts’s Collected Essays, which will be published by McPherson & Co. in 2021.  Alexander Christie is Assistant Professor of Digital Prototyping at Brock University’s Centre for Digital Humanities. He has published internationally in a number of journals and collections, including Digital Humanities Quarterly, Social Knowledge Creation in the Humanities, and Reading Modernism with Machines. In addition to creating warped 3D maps ofliterary spaces (z-axis research), he is currently completing a book on modern manuscripts and humanities computing. Tom is an instructor in English at Camosun College in Victoria, British Columbia.  His research has examined religiosity and the supernatural in twentieth-century American literature.  He is increasingly focused on science fiction storytelling, and in particular cyber punk narratives.

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