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9781789382624

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When movies present biographies, and real historical events, especially fairly recent ones, they are usually regarded either in terms of their historical accuracy or lack of accuracy, or else in terms of their expressive, aesthetic qualities. It is very hard to balance between these opposed imperatives. But in this manuscript, Freedman threads the needle with extraordinary success ... A powerful critical reflection on Stone's achievements as a filmmaker, and a deeply insightful reflection on American politics of the past sixty years ... The manuscript's careful attention to detail, combined with its broad vision and explanatory scope, make it an impressive and indeed essential book. -- Steven Shaviro, DeRoy Professor of English, Wayne State University. It shines through in virtually every paragraph that Freedman knows his subject(s) (Stone, recent US history and history writing) from decades of engagement ... This book has the potential to become not only a great source on its subject, but a model of how to approach historical fiction in general -- Daniel Lindvall, Editor-in-Chief, Film International

It shines through in virtually every paragraph that Freedman knows his subject(s) (Stone, recent US history and history writing) from decades of engagement ... This book has the potential to become not only a great source on its subject, but a model of how to approach historical fiction in general -- Daniel Lindvall, Editor-in-Chief, Film International When movies present biographies, and real historical events, especially fairly recent ones, they are usually regarded either in terms of their historical accuracy or lack of accuracy, or else in terms of their expressive, aesthetic qualities. It is very hard to balance between these opposed imperatives. But in this manuscript, Freedman threads the needle with extraordinary success ... A powerful critical reflection on Stone's achievements as a filmmaker, and a deeply insightful reflection on American politics of the past sixty years ... The manuscript's careful attention to detail, combined with its broad vision and explanatory scope, make it an impressive and indeed essential book. -- Steven Shaviro, DeRoy Professor of English, Wayne State University.

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Carl Freedman is the William A. Read Professor of English Literature and a Distinguished Research Master at Louisiana State University. He is the author of many books, most recently Art and Idea in the Novels of China Miéville and Versions of Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others, also published by Intellect. .

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