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OverviewSimone de Beauvoir's notion of ambiguity became a cornerstone of her philosophy and influenced a radical rethinking of freedom well into the twenty-first century. In Ambiguous Cinema, Fuery examines Beauvoir's notion of ambiguity in relation to film experience, exploring both the legacies and limits of her existentialist ethics through a range of films by independent women filmmakers, including Joanna Hogg, Liliana Cavani, Debra Granik, Cheryl Dunye, Claire Denis, Lucrecia Martel, Lynne Ramsay and Céline Sciamma. In doing so, Fuery deftly demonstrates the currency and relevancy of Beauvoir's ideas to contemporary debates in film-philosophy and feminist thought by examining how these women filmmakers navigate turbulent themes such as moral choice, power, adolescence, love, trauma and motherhood. Reimagining Beauvoir's idea of ambiguity within the context of film studies, Fuery asks that we confront and embrace difficult emotional situations so that we might realise an authentic, if indeterminate, freedom through our cinematic experiences. Full Product DetailsAuthor: Kelli FueryPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781399504232ISBN 10: 1399504231 Pages: 272 Publication Date: 30 June 2022 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews"Among the spate of recent books focusing on films as philosophy, Fuery's Ambiguous Cinema counts as one of the most consistent and compelling. What this reviewer particularly admires about the book is that Fuery, unlike many others who write about film as philosophy, does not limit herself to analyzing film narrative; she also pays close attention to filmic techniques and effects. In addition, she avoids the temptation to make unlikely marriages between filmmakers and a variety of philosophies, and instead provides a template that can be applied widely. A masterful effort! Summing Up: Essential. Upper-division undergraduates through faculty. --W. A. Vincent ""CHOICE"" Bring(s) together a substantial body of scholarship on Beauvoir with diverse feminist phenomenological writings and a corpus of rich and complex female-directed films. --Kate Ince ""Film-Philosophy"" Mobilizing Simone de Beauvoir's writings for cinematic thinking, Fuery brings the diversity and complexity of women's lived experiences into view in several contemporary feminist films. This is a remarkable contribution to feminist film theory, the first to think film with Beauvoir not just about ideas, but in regard to method. --Prof. Lori Marso, Union College Quite much more than a mere 'influence of a philosophy on the cinema, ' Kelli Fuery's compelling and consequential study actually offers a rich two-way process: films enlivened by complex critical analysis but also the philosophy extended -- and productively critiqued, especially around new social identities -- by the encounter with moving images. --Dana Polan, New York University" Author InformationKelli Fuery, Associate Professor of Film Studies, Chapman University. Tab Content 6Author Website:Countries AvailableAll regions |