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OverviewFull Product DetailsAuthor: Erin ManningPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.50cm Weight: 0.449kg ISBN: 9780822353348ISBN 10: 0822353342 Pages: 328 Publication Date: 09 January 2013 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPrelude / Brian Massumi ix Acknowledgments xxv 1. Toward a Leaky Sense of Self 1 Interlude. When Movement Dances 13 2. Always More Than One 16 Interlude. Dancing the Virtual 30 3. Waltzing the Limit 41 4. Propositions for the Verge 74 Interlude. What Else? 91 5. Choreography as Mobile Architecture 99 Interlude. Fiery, Luminous, Scary 124 6. The Dance of Attention 133 7. An Ethics of Language in the Making 149 Interlude. Love the Anonymous Elements 172 8. The Shape of Enthusiasm 184 Coda. Another Regard 204 Notes 223 Bibliography 257 Index 267ReviewsErin Manning's book offers a philosophy of neurodiverse perception, encouraging us not to begin with the pre-chunked. How ironic, then, that the impulse to categorize and to pathologize is generally seen as evidence of the normate's proper functioning. In Manning's splendid book, autism comes to signify not a disorder but a relational dance of attention, one that refuses to strand any entity at the margin of our concern. -Ralph James Savarese, coeditor of Autism and the Concept of Neurodiversity, a special issue of Disability Studies Quarterly In Always More Than One, Erin Manning produces a truly original choreographic thinking. I don't just mean that she writes about choreography. She thinks how the body moves, and moves her writing in step with that thinking. She performs an expanded choreography, developed in dialogue with dance, putting dance in dialogue with other practices. A must for dancers who think - and philosophers who wish they could dance. -William Forsythe, Choreographer and Artistic Director of The Forsythe Company In this book, Erin Manning takes us on an amazing journey. It is a journey of philosophical thought, to be sure; but it is also a journey of bodies in motion, through landscapes that are enlivened and transformed by their passage. Always More Than One is a book about the vitality of the in-between. It presents a vision of life adding to life, whether in the simplest everyday encounters, or in the densely articulated webs of works of art. -Steven Shaviro, author of Post Cinematic Affect Through inventive language and a deep engagement with continental philosophy, her authoritative text pushes thought to the limits of expressibility, and presents to the reader a world that shimmers with potential. -- Megan Bridge Dance Chronicle Erin Manning's book offers a philosophy of neurodiverse perception, encouraging us 'not to begin with the pre-chunked.' How ironic, then, that the impulse to categorize and to pathologize is generally seen as evidence of the normate's proper functioning. In Manning's splendid book, autism comes to signify not a disorder but a relational' dance of attention,' one that refuses to strand any entity at the margin of our concern. - Ralph James Savarese, coeditor of Autism and the Concept of Neurodiversity, a special issue of Disability Studies Quarterly. Author InformationErin Manning is University Research Chair in Philosophy and Relational Art and Associate Professor in the Faculty of Fine Arts at Concordia University. She is the author of Relationscapes: Movement, Art, Philosophy and Politics of Touch: Sense, Movement, Sovereignty and coauthor, with Brian Massumi, of Thought in the Act: Passages in the Ecology of Experience (forthcoming). Tab Content 6Author Website:Countries AvailableAll regions |
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