Alterity and Capitalism in Speculative Fiction: Estranging Contemporary History

Author:   Tomás Vergara
Publisher:   Springer International Publishing AG
Edition:   2023 ed.
ISBN:  

9783031399237


Pages:   206
Publication Date:   06 October 2023
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Alterity and Capitalism in Speculative Fiction: Estranging Contemporary History


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Author:   Tomás Vergara
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   2023 ed.
Weight:   0.414kg
ISBN:  

9783031399237


ISBN 10:   3031399234
Pages:   206
Publication Date:   06 October 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Chapter 1: Introduction: Anamorphic Estrangement.- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville’s Bas-Lag Trilogy.- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead’s The Underground Railroad and Rivers Solomon’s Sorrowland.- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon’s Falling Out of Cars and McCormack’s Notes from a Coma.- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock’s Dreams Before the Start of Time and Bina Shah’s Before She Sleep.- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.

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Author Information

Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest ranges from early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville’s New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon’s Falling out of Cars in the C21 Literature journal.

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