All Art Is Political: Writings on Performative Art

Author:   Sarah Lowndes
Publisher:   Luath Press Ltd
ISBN:  

9781910021422


Pages:   160
Publication Date:   01 June 2014
Format:   Paperback
Availability:   In Print   Availability explained
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All Art Is Political: Writings on Performative Art


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Overview

All Art is Political: Writings on Performative Art is a collection of recent conversations and writings by Glasgow based writer and curator Sarah Lowndes (author of Social Sculpture: Rise of the Glasgow Art Scene). The collection opens with a previously unpublished conversation from 2008 between Lowndes, Art and Language collaborator Mayo Thompson and AMM member and forefather of electroacoustic sound, Keith Rowe. Also included are essays on Berlin-based artist Thea Djordjadze and Glasgow-based Turner Prize winner Richard Wright. A 2011 conversation between Lowndes and American conceptual artist Susan Hiller and an essay exploring the late autobiographical works of German-Swiss artist and writer Dieter Roth complete this series of investigations into the performative practices of leading contemporary artists.

Full Product Details

Author:   Sarah Lowndes
Publisher:   Luath Press Ltd
Imprint:   Luath Press Ltd
Dimensions:   Width: 14.80cm , Height: 1.20cm , Length: 21.10cm
Weight:   0.200kg
ISBN:  

9781910021422


ISBN 10:   1910021423
Pages:   160
Publication Date:   01 June 2014
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements Introduction CHAPTER 1 There is Only the Room: A Conversation with Mayo Thompson and Keith Rowe (2008) CHAPTER 2 Tokens of Sense: The Work of Thea Djordjadze (2009) CHAPTER 3 Learned by Heart: The Paintings of Richard Wright (2010) CHAPTER 4 Artists at Work: Susan Hiller in Conversation with Sarah Lowndes (2011) CHAPTER 5 Hole Punch: The Late Autobiographical Works of Dieter Roth (2012)

Reviews

An interesting and insightful collection of thoughts about the urgency of vision, how audiences work together with artists to enact the bodily labour of seeing and understanding, and how politics and the performative can be embedded in the material presence of art. Dr FIONA BRADLEY, DIRECTOR, FRUITMARKET GALLERY In her observant close readings of artists' practices and interviews with artists, Sarah Lowndes shows how artists themselves have navigated this territory, giving attention to the question of politics from the perspective both of theory and of the artwork itself. MELISSA GRONLUND, EDITOR, AFTERALL


Author Information

DR SARAH LOWNDES is a writer, curator and a lecturer at Glasgow School of Art. She has contributed to publications including Frieze and Afterall as well as catalogues for international institutions. An expanded second edition of her book Social Sculpture: The Rise of the Glasgow Art Scene was published by Luath Press in 2010. Her curatorial projects include Three Blows (2008), Votive (2009), Urlibido (2010), Dialogue of Hands (2012), Studio 58: Women Artists in Glasgow Since World War II (2012) and The Glasgow Weekend: Art, Design and Music from Glasgow (2013). She is also the editor of the prose, poetry and art magazine The Burning Sand.

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