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9781789147643

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'Ekserdjian’s lively account of the great Renaissance artist from Nuremberg, Albrecht Dürer, shows how his art and autobiography continue to resound across the centuries. Dürer’s fascination with the world around him, whether an elaborate costume study, the brilliant blue of a bird’s wing or the distorted angle of a man’s face, is transferred into narrative prints that have inspired artists from Velázquez to Lucian Freud and remain mesmerizing today.' – Giulia Bartrum, Former Curator of German Prints and Drawings at the British Museum; 'David Ekserdjian’s book on the life and work of Albrecht Dürer portrays the artist vividly and sets him in his historical, artistic and intellectual context. Ekserdjian builds on the fundaments of sources in a comprehensive sense: Dürer's works in prints, drawings and paintings and, equally, his autobiographical and art-theoretical writings. Elegantly written, this book is pure pleasure to read.' – Christof Metzger, Chief Curator at the Albertina Museum, Vienna

'Ekserdjian's lively account of the great Renaissance artist from Nuremberg, Albrecht Durer, shows how his art and autobiography continue to resound across the centuries. Durer's fascination with the world around him, whether an elaborate costume study, the brilliant blue of a bird's wing or the distorted angle of a man's face, is transferred into narrative prints that have inspired artists from Velazquez to Lucian Freud and remain mesmerizing today.' - Giulia Bartrum, Former Curator of German Prints and Drawings at the British Museum; 'David Ekserdjian's book on the life and work of Albrecht Durer portrays the artist vividly and sets him in his historical, artistic and intellectual context. Ekserdjian builds on the fundaments of sources in a comprehensive sense: Durer's works in prints, drawings and paintings and, equally, his autobiographical and art-theoretical writings. Elegantly written, this book is pure pleasure to read.' - Christof Metzger, Chief Curator at the Albertina Museum, Vienna

Author Information

David Ekserdjian is Professor of History of Art and Film at the University of Leicester and Keeper of the University Art Collection. His books include The Italian Renaissance Altarpiece: Between Icon and Narrative (2021).

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