Overview

Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness, through an interdisciplinary and intersectional analysis of Black Panther, discusses the importance of superheroes and the ways in which they are especially important to Black fans. Aside from its global box office success, Black Panther paves the way for future superhero narratives due to its underlying philosophy to base the story on a narrative that is reliant on Afro-futurism. The film’s storyline, the book posits, leads viewers to think about relevant real-world social questions as it taps into the cultural zeitgeist in an indelible way. Contributors to this collection approach Black Panther not only as a film, but also as Afrofuturist imaginings of an African nation untouched by colonialism and antiblack racism: the film is a map to alternate states of being, an introduction to the African Diaspora, a treatise on liberation and racial justice, and an examination of identity. As they analyze each of these components, contributors pose the question: how can a film invite a reimagining of Blackness?

Full Product Details

Author:   Renée T. White ,  Karen A. Ritzenhoff ,  Khadijah Z. Ali-Coleman ,  dann j. Broyld
Publisher:   Lexington Books
Imprint:   Lexington Books
Dimensions:   Width: 15.90cm , Height: 3.00cm , Length: 22.90cm
Weight:   0.807kg
ISBN:  

9781793623577

ISBN 10:   1793623570
Pages:   382
Publication Date:   30 August 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Preface Zeinabu irene Davis Chapter 1: I Dream a World: Black Panther and the Re-Making of Blackness Renée T. White Chapter 2: The Power in Numbers: Ensemble Stunt Performance in Black Panther and Histories of Practice Lauren Steiner Chapter 3: From Expressivity to Equanimity: New Black Action in Black Panther Wayne Wong Chapter 4: Paid the Cost to be the Boss: Chadwick Boseman, Black Panther, and the Future of the Black Biopic Mikal J. Gaines Chapter 5: Let Ayo Have a Girlfriend: Resisting Black Lesbian Erasure on Twitter Sarah E. S. Sinwell Chapter 6: “Tell Me a Story Baba”: Black Panther and Wakanda’s Foreign Policy in the Age of Neo-liberalism Clarence Lusane Chapter 7: The Underground Railroads as Afrofuturism: Enslaved Blacks that Imagined Freedom, Future, and Space dann j. Broyld Chapter 8: The Evolution of Dora Milaje: Wakanda’s Greatest Warriors in Comics and Film Josh Truelove Chapter 9: “The Prince Will Now Have the Strength of the Black Panther Stripped Away”: Reading Disability and Queerness in Killmonger Dominique Young Chapter 10: Only When She Wants To: Code-Switching in Black Panther Paul Moffet Chapter 11: The Dore Milaje in Real Life: A Continuing Legacy of African Warriors Myron T. Strong, K. Sean Chaplin, and Giselle Greenidge Chapter 12: Echoes of the History of Black Utopian Visions, “Black Manhod,” and Black Feminism in the Making of Black Panther Dolita Cathcart Chapter 13: Tradition, Purpose, and Technology: An Archaeological Take on the Role of Technological Progress in Black Panther Shayla Monroe Chapter 14: Reflections on Black Panther and the Traditions of Third Cinema Cynthia Baron Chapter 15: The Depiction of Homeschooling, Black Identity, and Political Thought in the Film Black Panther Khadijah Z. Ali-Coleman Chapter 16: Two Paths to the Future: Radical Cosmopolitanism and Counter-Colonial Dignity in Black Panther Neal Curtis Chapter 17: My Blood Right: A Critical Analysis of Black Panther’s Killmonger, Colonialism, and Hybrid Identity Gabriel A. Cruz Chapter 18: The Others Worlds of Black Panther’s Purple Heart-Shaped Herb Paul Karolczyk About the Contibutors

Reviews

This remarkable collection examines the complexities, power and significance of Afrofuturism in Black Panther from a wide range of highly pertinent perspectives, revealing the film's importance as both a piece of cinema and as a pointed intervention into cultural, social and political histories of representation. The editors have brought together a rich collection of rigorous and illuminating contributions, making this the key reference work on this ground-breaking film. -- Lisa Purse, University of Reading A rich and enticing book that offers multiple perspectives on a genuine cultural phenomenon. A must read for anyone interested in Black Panther and the politics of contemporary US popular culture. -- Herve Mayer, Paul Valery University Montpellier 3 Featuring reflections by filmmakers, artists, fans, and scholars across disciplines and around the world, this book is more than just a resource for a critical reading of Black Panther; it is a veritable tome of the different threads present within this ever-evolving film. Superhero and fantasy films have an important role in producing and commenting on culture: they take us out of reality while helping us critically dissect the patterns of reality. This phenomenon is complicated but necessary, and each chapter methodically guides the reader through a different facet of media, identity, history, and reception, encouraging them to return to the film to watch it again with new knowledge and a new perspective. -- Charisse L'Pree Corsbie-Massay, Syracuse University Evidence that Black Panther hit a raw nerve rests in this serious treatment of the copious topics instigated by this afrofuturistic superhero film. Praise for this collection of essays for the far-reaching implications the authors suggest for the study of Black Panther as an interrogation of the multibillion dollar industry that produced it and the state of the human condition for which the film serves as window and mirror. Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness explores why Black Panther is not merely an important film that you have to see just because it seemingly replaces the Hollywood white superhero with a black superhero, but why it's a film we want to see as it centers black governance, black feminism and black culture within the convergence of global politics and technology in the context of real histories of enslavement, colonization, apartheid, racism and discrimination. The essays invoke the persistence of vision of black filmmakers, writers, actors, designers, scholars and spectators who expertly employ the master's tools to re-imagine. An essential text for the study of Black Panther. -- Roxana Walker-Canton, University of Florida Renee T. White's & Karen A. Ritzenhoff's book is a tour-de-force about the highly popular Marvel comic and its film adaptation. The impressive assemblage of contributors boldly theorizes concepts of Black identity, queer erasure, counter-colonialism dignity, Afrofuturism, and Black utopian visions that are celebratory and critical. This work is a page-turning essential read for academics, popular culture, and science fiction enthusiasts who seek to have their assumptions and principles about Black Panther challenged while exploring new historical, symbolic, and pedagogical frameworks on various dimensions of Blackness. -- Alexia Hudson-Ward, Associate Director of Research and Learning, MIT Libraries

This remarkable collection examines the complexities, power and significance of Afrofuturism in Black Panther from a wide range of highly pertinent perspectives, revealing the film's importance as both a piece of cinema and as a pointed intervention into cultural, social and political histories of representation. The editors have brought together a rich collection of rigorous and illuminating contributions, making this the key reference work on this ground-breaking film. -- Lisa Purse, University of Reading A rich and enticing book that offers multiple perspectives on a genuine cultural phenomenon. A must read for anyone interested in Black Panther and the politics of contemporary US popular culture. -- Hervé Mayer, Paul Valéry University Montpellier 3 Featuring reflections by filmmakers, artists, fans, and scholars across disciplines and around the world, this book is more than just a resource for a critical reading of Black Panther; it is a veritable tome of the different threads present within this ever-evolving film. Superhero and fantasy films have an important role in producing and commenting on culture: they take us out of reality while helping us critically dissect the patterns of reality. This phenomenon is complicated but necessary, and each chapter methodically guides the reader through a different facet of media, identity, history, and reception, encouraging them to return to the film to watch it again with new knowledge and a new perspective. -- Charisse L'Pree Corsbie-Massay, Syracuse University Evidence that Black Panther hit a raw nerve rests in this serious treatment of the copious topics instigated by this afrofuturistic superhero film. Praise for this collection of essays for the far-reaching implications the authors suggest for the study of Black Panther as an interrogation of the multibillion dollar industry that produced it and the state of the human condition for which the film serves as window and mirror. Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness explores why Black Panther is not merely an important film that you have to see just because it seemingly replaces the Hollywood white superhero with a black superhero, but why it’s a film we want to see as it centers black governance, black feminism and black culture within the convergence of global politics and technology in the context of real histories of enslavement, colonization, apartheid, racism and discrimination. The essays invoke the persistence of vision of black filmmakers, writers, actors, designers, scholars and spectators who expertly employ the master’s tools to re-imagine. An essential text for the study of Black Panther. -- Roxana Walker-Canton, University of Florida Renée T. White’s & Karen A. Ritzenhoff’s book is a tour-de-force about the highly popular Marvel comic and its film adaptation. The impressive assemblage of contributors boldly theorizes concepts of Black identity, queer erasure, counter-colonialism dignity, Afrofuturism, and Black utopian visions that are celebratory and critical. This work is a page-turning essential read for academics, popular culture, and science fiction enthusiasts who seek to have their assumptions and principles about Black Panther challenged while exploring new historical, symbolic, and pedagogical frameworks on various dimensions of Blackness. -- Alexia Hudson-Ward, Associate Director of Research and Learning, MIT Libraries

Author Information

Renée T. White is provost and executive vice president at The New School. Karen A. Ritzenhoff is professor of communication and women, gender, and sexuality studies at Central Connecticut State University.

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