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"""That Fela Aníkúlápó Kuti was a man of profound contradiction is perhaps nowhere more evident than in the lives of his collaborators, the Queens. These women—so crucial to Fela's success and arguably the ""engines"" of Afrobeat style and sound itself—were nevertheless consistently upstaged and disenfranchised from an empire they helped to build. In this book, Dotun Ayobade takes us backstage, back in time, and out into the community in search of the Queens' stories. Insightfully argued, rigorously researched, and lyrically written, Queens of Afrobeat portrays the creative contributions and personal hardships endured by these remarkable women as they navigated the charged geopolitics of intimacy and performed as savvy cultural managers within an unequal and highly gendered field.""—Catherine M. Cole, University of Washington"

"""That Fela Aníkúlápó Kuti was a man of profound contradiction is perhaps nowhere more evident than in the lives of his collaborators, the Queens. These women—so crucial to Fela's success and arguably the ""engines"" of Afrobeat style and sound itself—were nevertheless consistently upstaged and disenfranchised from an empire they helped to build. In this book, Dotun Ayobade takes us backstage, back in time, and out into the community in search of the Queens' stories. Insightfully argued, rigorously researched, and lyrically written, Queens of Afrobeat portrays the creative contributions and personal hardships endured by these remarkable women as they navigated the charged geopolitics of intimacy and performed as savvy cultural managers within an unequal and highly gendered field.""—Catherine M. Cole, University of Washington ""Of all the African musical innovators of the post-independence era, Fela Kuti was the one whose art was most strongly and explicitly predicted on the erotic. Until now, however, no writer has given full voice to Fela's queens, the female partners who helped him transmute the erotic impulse into sonic, political, spiritual, and philosophical forms of power. Dotun Ayobade's landmark study is thus a long-overdue corrective that gives the queens their rightful acknowledgment as crucial collaborators in one of the most revolutionary musical episodes in Africa's post-independence history.""—Michael E. Veal - Henry L. and Lucy G. Moses Professor of Music, Yale University"

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Dotun Ayobade is Assistant Professor of Performance Studies and African American Studies at Northwestern University. He studies how embodied forms of popular culture shape the meanings of community, justice, and activism in postcolonial West Africa. His writing covers late twentieth century dance, performance, and popular music in Anglophone West Africa, with an interest in the impact and trajectories of Afrobeat music.

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