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OverviewPhilosophers have considered questions raised by the nature of art, of beauty, and critical appreciation since ancient times, and the discipline of aesthetics has a long tradition that stretches from Plato to the present. Full Product DetailsAuthor: Carolyn KorsmeyerPublisher: John Wiley and Sons Ltd Imprint: Wiley-Blackwell Dimensions: Width: 17.30cm , Height: 2.70cm , Length: 24.60cm Weight: 0.671kg ISBN: 9780631205944ISBN 10: 0631205942 Pages: 384 Publication Date: 01 October 1998 Audience: Professional and scholarly , Professional and scholarly , Professional & Vocational , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsList of Plates viii Acknowledgements ix Introduction 1 Part One: What is Art? 7 Part Two: Experience and Appreciation: How Do We Encounter Art? 73 Part Three: Aesthetic Evaluation: Who Decides? 133 Part Four: Can We Learn from Art? 179 Part Five: Tragedy, Sublimity, Horror: Why Do We Enjoy Painful Experiences in Art? 225 Part Six: Where is the Artist in the Work of Art? 295 IndexReviews"An anthology that paired the strongest evidence in favor of the tradition with the strongest evidence against it would have obvious appeal for many teachers of aesthetics, especially those of us who remain genuinely ambivalent about the tradition. That anthology does not yet exist, at least to my knowledge. In the meantime, the next best thing may be to pair this provocative collection with one of its more traditional competitors." James Shelley, American Society for Aesthetics "Carolyn Korsmeyer has produced a very useful anthology which will undoubtedly become a well used textbook for students of aesthetics and a valuable source of otherwise less readily available texts...the volume is radical in enriching the discipline and Korsmeyer has made the presence of women scholars and feminist theory in philosophy felt in fundamental ways." Melanie Selfe, Women's Philosophy Review, Special Issue no. 25, 2000 An anthology that paired the strongest evidence in favor of the tradition with the strongest evidence against it would have obvious appeal for many teachers of aesthetics, especially those of us who remain genuinely ambivalent about the tradition. That anthology does not yet exist, at least to my knowledge. In the meantime, the next best thing may be to pair this provocative collection with one of its more traditional competitors. James Shelley, American Society for Aesthetics Carolyn Korsmeyer has produced a very useful anthology which will undoubtedly become a well used textbook for students of aesthetics and a valuable source of otherwise less readily available texts...the volume is radical in enriching the discipline and Korsmeyer has made the presence of women scholars and feminist theory in philosophy felt in fundamental ways. Melanie Selfe, Womena s Philosophy Review, Special Issue no. 25, 2000 Author InformationCarolyn Korsmeyer is Professor of Philosophy at the State University of New York at Buffalo. She is the editor (with Peggy Zeglin Brand) of Feminism and Tradition in Aesthetics (1995) and (with Hilde Hein) Aesthetics in Feminist Perspective (1993) and the author (with Dubois, Kelly, Kennedy, and Robinson) of Feminist Scholarship: Kindling in the Groves of Academe (1985). Tab Content 6Author Website:Countries AvailableAll regions |
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