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OverviewFred Orton's teaching and writing has always combined theoretical and formal-which is to say structural-analysis with historical research and reflection. This collection of essays brings together some of his most decisive contributions to thinking about fine art practice and rethinking the theory and methods of the social history of art. In this collection Orton brilliantly moves from Paul Cezanne to Jasper Johns, from the American cultural critic Harold Rosenberg to a discussion of Marx and Engels' notion of ideology. What emerges is more than an anthology, this collection offers a vivid demonstration of the way theory can work to generate new interpretations and unsettle old ones. Full Product DetailsAuthor: Fred OrtonPublisher: Haymarket Books Imprint: Haymarket Books ISBN: 9781642598230ISBN 10: 1642598232 Pages: 208 Publication Date: 31 January 2023 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsAuthor InformationFred Orton is Emeritus Professor of Art History and Theory, University of Leeds. His earlier books include Figuring Jasper Johns,Jasper Johns: The Sculptures and Fragments of History with Ian Wood and Clare A. Lees. Tab Content 6Author Website:Countries AvailableAll regions |